Most students avoid the reflective nature the writing process requires. Their resistance to meta-cognition, thinking about one's thinking, often means they are incapable of capitalizing on their strengths or improving upon their weaknesses. The author believes students who are familiar with writers' lives and habits will be that much more…

In order for students to write like authors they need to read like writers. This requires direct instruction in attending to the writing craft through the use of quality adolescent literature and engagement in reading and writing. This article focuses on writing catchy introductions. The author offers the lesson objective and a teacher script…

Students do not need to be told that they are socially constituted so much as they need to experience, in concrete terms, what that means. In an era of identity politics, they need to experience the labels they choose (or the labels chosen for them) as no less problematic than they are inevitable. A means to this end is a classroom heuristic tried…

Discusses length and speed, spontaneity, and discipline as the attributes that affect creative writing assignments, students' development as creative writers, and appropriate methods of teaching creative writing. (RL)

Advocates using the case approach in college writing classes. Suggests that asking students to play the roles of participants in a situation, whether real or imaginary, helps them learn to address a particular audience with a clear purpose. Offers a case approach with discussion questions and possible assignments. (RL)

Presents a criticism of Evan Carton's description of a writing assignment, noting the contradiction between the assignment's real purpose and the rigid writing restrictions inherent in the assignment that preclude the purpose. Presents Carton's response. (HTH)

Provides an absorbing analysis of the composing process as the author reflects on the act of writing in which he is himself engaged. (HOD)

Argues that when students interrupt their thought flow during composition writing to edit language, syntax, or mechanics, the pauses obstruct fluency and dilute concentration. Use of the word processor for invisible composition is described to show how computers reduce time spent on composing and alter quantity and quality of time. (MBR)

Describes the Writing Workshop (WW) program at Upland Elementary (Indiana) and how it emphasizes the use of doing rough drafts and revising them to teach writing. Recounts the stories of five grade-school children who blossomed in WW. Summarizes the steps in-process writing: rough drafts, self-editing, peer conferencing, teacher conferencing,…

Writing processes and writing skills are highly compatible, but only if "writing skills" are defined as genuinely helpful learning strategies rather than prescriptive techniques or isolated forms and rules. Increased skill is a product of meaningful practice, not prescriptive instructions or isolated drills. In the present context, the…

By engaging in philosophical discussion in their writing, freshman composition students can discover that writing is a mediating tool between the self and the objective world, a means to examine the nature of reality and their thinking processes. Introducing philosophical issues opens the door for the investigation of difficult and abstract topics…

Autobiographical writing can, by its nature as expressive discourse, connect to the residual orality and literacy that students possess before they enter college writing classes, because it crosses more easily between the spoken word and the written word than other forms of writing. Adapting the Ong-Havelock orality-literacy thesis to writing…

To force students--at the very beginning of the writing process--to be aware of audience and to gain insight into their own writing, in-class writing and sharing exercises can be invaluable. For example, students can present to the class their subject for an upcoming paper, with the class responding on paper to such questions as: (1) What do you…

Describes a basic writing program which provides an enabling environment to give students opportunities and a plan for composing sentences and texts and interacting with readers, through such techniques as collaborative learning, writing as process, and sentence combining. Offers profiles of typical basic writers including examples of their work.…

Argues that children want to write and enjoy writing and that teachers need to provide them with suitable opportunities for doing so. Discusses different kinds of writing that allow children's voices to come through. (FL)