Most students avoid the reflective nature the writing process requires. Their resistance to meta-cognition, thinking about one's thinking, often means they are incapable of capitalizing on their strengths or improving upon their weaknesses. The author believes students who are familiar with writers' lives and habits will be that much more…

English teachers have a unique opportunity to expand and develop the way their students think. Too often, students are comfortable in thinking about reading and writing processes in a concrete or linear way. They are used to "right" or "wrong" answers in their other studies and look for the same in their English assignments. While teachers often…

Notes the villanelle is one of English poetry's most demanding forms. Discusses two distinct ways in which a villanelle unfolds - as a satellite or as a snowball. Describes how the meaning of the repeating lines in a snowball villanelle change and increase with each recurrence. Presents exercises for teaching the villanelle. (SG)

Suggests using poetry's short short forms for a methodical and rapid series of writing assignments that emphasize both careful writing at the sentence level and overall planning and respect for form. (HTH)

Describes a six-phase writing assignment for ESL students to help them grasp the concept of an audience beyond the writing instructor. (HTH)

Presents step-by-step instructions to help developmental writing students write a cohesive essay by combining individually written paragraphs. (HTH)

A process-oriented freshman composition instructor who stresses invention, drafting, and revision can simultaneously integrate a form of grammatical instruction. Various methods and strategies, both from experience and research on grammar from the classical to the contemporary era, suggest such a creative integration. First, the teaching of…

Frequently, writing students are so concerned with correct grammar and mechanics that their essays are stilted and dry. Their writing is further hampered by rhetorical formulas that describe what the structure of the essay should be when it is finished but not how to go about writing it. Can poetic invention strategies help produce better essays?…

Describes a writing assignment designed to help students incorporate into a single essay Moffett's writer-subject progressions: dramatization, narration, exposition, and logical argumentation. Describes one student's progress through successive drafts to arrive at this goal, and how discussions of her draft helped the other students. (HTH)

Provides a rationale for allowing students to write in journals that the teacher will never read. Suggests requiring students to write responses to their journal writing at the end of the semester, which would be shared with the teacher and the rest of the class. Includes a sample response. (HTH)

Provides writing exercises which encourage the use of sense details to let the reader know what is in the writer's mind. Provides writing exercises for setting a mood, describing places in fiction, adding metaphors, and describing people. (MG)

Proposes incorporating a wide variety of texts from a variety of academic disciplines into the freshman writing course. Offers two sample text-based, process-oriented writing assignments. (HTH)

Presents an exercise that guides basic writing students in their choices, requiring them to make evaluative annotations of each sentence in the draft of a paragraph. Includes (1) a set of questions that incorporate criteria for a sound paragraph and serve heuristically for the revision of the draft, and (2) a student example of the procedure. (HTH)

Suggests a six-step exercise that can be used in one 50-minute session to help students (or teachers at a workshop) experience the writing process of prewriting, writing, and rewriting with response from a peer. (TJ)

This collection of essays by college and high school faculty represents a variety of practical approaches that can be used in composition classes. The essays and their authors are as follows (1) "Undercover Preparation" (Judy Anderson); (2) "Paragraph Development from Visualization: 'a paragraph ain't nothing but a sandwich!'"…