In an early think-aloud protocol study that identifies which "actual" written comments help students revise, Mary Hayes and Donald Daiker examine "how students respond to educators' responses". Studying teacher feedback in a writing course focused on revision, Hayes and Daiker asked students to read aloud and analyze their instructor's written…

The authors are faculty in history and English, respectively, at Kingsborough Community College in Brooklyn, New York. What their students want and need, and what the institution's role in the community should be, remain open questions, with policy implications at the departmental, college, city, and even national level. Indeed, President Obama…

While many freshman composition textbooks offer cursory instruction on how to conduct field research, very little information exists on teaching undergraduates field research methods. Such instruction often occurs during graduate school. However, in order to become polished writers and researchers, and to see firsthand how research enhances…

Peer-response remains a central process in first-year composition; faculty can make it effective and efficient by "spotlighting"--designing the process as digital, emergent, and distributive. In this article, the author first elaborates on his own use of peer-response terminology. He favors "peer-response" as the descriptive term for…

This article presents an exchange between Kip Strasma and Elizabeth Tomlinson. Strasma responds to "Gender and Peer Response" by Tomlinson, and Tomlinson responds to Strasma's ""Spotlighting": Peer-Response in Digitally Supported First-Year Writing Courses." Both of them respond to each other's cross talk.

Discusses how film offers a vehicle for observation and imitation, providing writers with a more accurate image of how they perform. Refers to three films: "Before the First Word", "Telling an Old Story", and "Pieces of a Puzzle" that have become the basis for insightful and fruitful discussions about writing. (JK)

Makes a case for students' using a focused, carefully phrased question as the basis for prewriting and writing, as opposed to a thesis sentence which can more easily lead them astray. (TB)

The use of humorous texts in the writing class can help students improve skills in effective writing while encouraging critical thinking and an increased range in expression. In addition, because of the accessible nature of humor and the focus on purpose and audience that is necessary when writing it, students show a natural inclination toward…

Describes a procedure that encourages both earnest participation in the reviewing process (the production of detailed responses) and revision that actually takes student responses into consideration. Concludes that by requiring students to tell the teacher what they chose to leave alone and what they chose to change, the teacher is able to get…

Claims that writing logs constitute an effective teaching tool in basic college writing courses. Discusses one teacher's success using writing logs to assist the development of students' freewriting skills. Includes sample entries revealing students' comments and progress throughout the term and documenting the teacher's response to these…

Claims that self-evaluation instruments strengthen students' ability to evaluate their own writing and improve writing instruction. Argues that self-evaluation exercises should (1) help students evaluate their writing, (2) demystify teachers' grades, (3) encourage students' awareness as writers, (4) require written responses from student, and (5)…

Encourages students in creative writing classes to grow as writers by following in some way the words of advice given by an older, wiser, professional writer. (CRH)

Describes methods for teaching student writers basic principles of organization. Argues that teachers should help their students learn the process of discovering organizations appropriate for their material instead of merely teaching traditional forms of written organization. (HB)

Suggests that despite culturally induced aversions, aromas do have a role to play in writing instruction. Suggest there are many examples in literature of authors' treatment of the olfactory sense. Argues that emphasizing smell as a writing stimulant and encouraging olfactory analyses of literary works can serve as valid ways of introducing…

Suggests that humans discover who they are and become what they are by communicating with each other; thus, the process of communicating becomes far more important than any particular product. Advocates a rhetoric of assent that takes these assumptions into account. (other, thusBW)