Process texts are published works that pull back the curtain on composition to show the techniques, tools, technologies, procedures, and/or inspirations of the creative process. Process texts also emerge mostly from nonfiction genres including memoirs, documentary films, and podcasts. In this article, educator Jason Griffith shares ways teachers…

It's clear that the transformative potential of artificial intelligence (AI) programs such as ChatGPT (generative pre-trained transformer) will significantly impact education, and it is natural for teachers to feel apprehensive about this change. This article explores the role of ChatGPT in a high school English classroom and discusses how it can…

This article describes an approach to descriptive writing, via the senses, as a way to promote both being present in the moment and creating vivid and evocative writing. It is important to note that this approach focuses on writing, not mindfulness or meditation training directly. However, in doing these sensory-based exercises, students learn to…

Teaching a senior seminar on creative nonfiction led author Sarah Gompers to consider how she might help her students understand the concept of writing with vulnerability. All stages of the writing process must be explicitly taught, and this extends to something as basic as topic selection. When students are taught about vulnerability--what it is,…

Revisiting the writing assignments that the author has given to his sophomores and juniors over the past four years, he can identify patterns that have complicated their writing development. This article explores how Aristotle's enthymeme can serve as an effective prewriting tool for literary analysis in the high school classroom. By foregrounding…

Teachers of writing strive for authenticity. When they ask students to write, they want it to be for authentic purposes. When they engage students in writing processes, they want those to be authentic processes. When they ask students to compose a particular kind of text, thye want those texts to be authentic genres reflecting authentic writing…

This article describes how four English language arts teachers formed an inquiry group to design approaches to writing assessment that would support and foster student writers' agency, empowerment, and freedom. They hoped that by focusing assessment on students' articulation of their writing processes rather than on rubrics or final products, they…

Revision is arguably the heart of the writing process, but teachers and students may sidestep the complexities in favor of the quick finish. By surfacing the classroom ecologies and practices involved in supporting student writers, the authors discover revision as a site for the development of agency. To more closely examine what happens in the…

Having students read news articles or novels, watch television snippets, engage in class discussions, essay-writing, emailing, and drafting letters are excellent ways to broach any number of society's systemic and oppressive social maladies. Engaging in these activities in the English language arts classroom can serve as a catalyst to encourage…

Thomas Nunnally equates five-paragraph format essays with square cucumbers found at farmer's markets: they have an established structure but no argument. The real square cucumbers are students who need a formula to write competently. By providing students with a real audience, a teacher can show that he or she takes students' desires -- and…

This article examines relationships in the writing process and offers some strategies to address student needs on both the cognitive and affective domains.

This article focuses on how adolescent writers took up an invitation to write and share a piece of work in school that wasn't tied to a grade. Students' responses to this invitation are examined in an effort to revise some of the typical approaches to teaching writing.

As an educator, according to the author, the most important objective is to know what they want students to take away with them after the unit ends, the enduring understandings that will stay with them long after they leave the classroom. The author states they wanted their students to understand that writing is a journey, one that starts with the…

The author explores the tension between the social and cognitive definition of "argument" in the Common Core's theoretical rationale and the structural approach to argument reflected in the exemplars of student writing, evaluating the implications of these inconsistencies for the high school English classroom.

Despite calls to action, writing pedagogy in the English classroom remains outdated, and caustic partisanship among theorists may be to blame. The author proposes a "principled approach" to the teaching of writing, combining the best elements of verified instructional methods to generate six components ensuring student growth.