I retired from teaching in August, 2018. In the fall semester of that academic year, I taught a section of Basic Writing (now called "Workshop in Composition"), one of the courses I taught in the fall of 1975, my first year at the University of Pittsburgh. This essay is a documentary account of that course, including writing assignments…

This essay, in letter form, introduces graduate-level study in Basic Writing to practicum students. It situates teaching practices within Basic Writing histories and pedagogies, and invites readers to focus widely, read deeply, and keep writing. Included are lessons from Bernstein's experiences in presenting David Bowie's artistic and cultural…

Against a Racial Real backdrop, I argue for consciously adopting a sociocultural approach to style in linguistically and racially diverse Basic Writing classrooms. To make this argument, I focus on a multilingual writer named Tejada, who reveals how she had internalized a racialized stereotypical discourse about herself as a minority--a discourse…

Examines the relationship between handwriting speed and the syntactic complexity of the finished piece of writing. Reports that findings support previous research that describes differences in syntax of basic and traditional writers. Concludes that writing teachers should encourage college students to write rapidly as they draft their pieces. (MM)

Advances the idea of using the workshop format for basic writers' development as writers. Finds that workshops generate conversations and discussions that encourage social, political, and economic awareness to help basic writers discover who and where they are in society. (PA)

Demonstrates that students who attempt graphically to represent their own writing process increase their involvement and self-awareness while validating their new writing behaviors and come to understand their role in managing the unique complexities of their own composing process. (SR)

Presents the results of a questionnaire which asked students to distinguish the most helpful instructional factors and activities aiding their writing progress. Concludes that the student's voice is his/her most accessible tool for progress, that acceptance of the student's voice is crucial, and that the speaking-writing connection is the most…

Compares White and African-American basic writers' texts produced during districtwide holistic writing assessments. Shows that White basic writers differ little from African-American basic writers, although African-Americans tend to use a stronger personal voice and drop standard word ending. Concludes that dialect is not the key issue. (MG)

Presents the voices of basic writers, telling the importance of education in their lives and their struggles with it. Argues that basic writing merits support and should be regarded as college-level in its objectives and methods. Rejects the move to transform the mission of two-year colleges into one of narrowly defined developmental endeavors.…

Studies whether students who reread their drafts aloud as they revise compose essays that are stylistically superior to those of students who do not. Finds this makes a difference for students with adequate to proficient reading skills but not for poor readers. Suggests basic writing courses should focus on reading and style, besides principles of…

Details, in a personal narrative, some techniques which have proved effective for enabling student success in the basic writing classroom. (PA)

Explores ways basic writers theorize identities that locate them in the larger culture. States that as part of the composing process students need to locate their own notions of the writer in a dominant culture that has labeled them "at risk." Studies student texts for "theories" about writing and identity; moves to construct…

Examines the use of music as a springboard for writing. Provides an explanation of how basic writing students can use music-writing activities to discover meaningful topics and ideas, to develop specific supporting details, and to understand the connections between purpose and audience. (RS)

Argues that Mina Shaughnessy's view of language as a politically innocent vehicle of meaning overlooks basic writers' need to confront the dissonance they experience between academic and other discourses. Suggests educators need to abandon the limitations of the essentialist view of language informing their pedagogy. (KEH)

Explores basic writing students' current writing processes, their thoughts on their writing, and their introduction to a structured writing process model. Suggests that educators can assist basic writers in becoming successful college writers by introducing them to a structured writing process model while also helping them to become reflective…