Process-based composition pedagogy has ignored the question of "doneness": the criteria used to decide when a piece of writing is complete. This article uses survey results from first- and second-year composition courses to challenge common beliefs about how students determine when writing assignments are sufficiently completed. We find…

What lasting impact could a required general education writing course have on students' well-being? The authors examined this question in the context of the California State University- Chico Town Hall Meeting, a campus event sponsored jointly by the Academic Writing Program and the First-Year Experience Program from 2006 to 2009. In the Town…

The study of emotion as discourse not only eliminates objections about the individual psychology of students, it also connects researchers to methods that go beyond reflection and self-reporting. In this article, the author pursues these ideas within the context of a college composition course where students experienced a particularly high level…

The author has been tutoring and teaching writing for fifteen years, but has discovered that few people outside of academia know what it is that she does. Despite the rise in composition graduate programs and the improving market for composition specialists, even within the university, faculty from other disciplines frequently have vague notions…

There are not many English words for "anger." There's "wrath" and "ire," although no one uses "ire" anymore and hardly anyone "wrath." There's "frustration," "resentment," and "indignation," but they don't have the emotional intensity of "anger," a word that…

Suggests writing instructors reconsider the way they represent to students the nature and function of thesis statements, particularly in their first-year rhetorics. Notes that the conventions of disputation and argument are increasingly challenged by the growing value various disciplines are placing on uncertainty, mediation, and exploration in…

The personal essay does not rely on the straight, even rows of a carefully laid out vegetable garden, on strings pulled tight to connect beginnings to ends. Instead it meanders, pulls from here and there, thinks out loud, asks questions, and proceeds leisurely through disconnections to make connections, as an ever-changing flower garden in which…

Presents an extended analogy between different styles of gardening (neat, even rows of vegetables versus scattering of flowers) and different styles of writing (academic versus personal essay). Shows that genre boundaries are as questionable as gender boundaries and that all writing is a means of creating self, not for expressing a self that…

Writing in Western culture requires mastery of both rhetorical theory and the expressive writing often promoted in composition studies, however great the conflict between them might be. The tension between these two poles can even be a source of excitement and motivation. Landmark composition studies such as those of James Britton and Janet Emig…

A mistake is made when writing is taught as though what students learn in one discipline (usually English) can simply be carried forward unchanged to any number of different writing situations and tasks, and when linear metaphors are used to describe the processes of learning such a "basic skill" as writing. The slogan of every writing…

Argues that freshman composition courses should teach students to use writing to develop an awareness and trust in their own thinking processes. Cautions that students who get nothing but directive instruction will be handicapped in learning to think for themselves. (RS)

The introductory writing course, English 101, at St. John Fisher College in Rochester, New York, has gone through several stages in the last decade, changing from a course emphasizing writing in the rhetorical modes to an issue-oriented interdisciplinary course, to, at the present time, a course focusing on the writing process and on collaborative…

This study is the 10th in a series of reports from the Reading-to-Write Project, a collaborative study designed to examine the cognitive processes of college freshmen in the act of entering a university-level academic discourse community and to present a model of that transition. Subjects, 17 freshmen (of a total of 72 participating either as…

Writing teachers should employ a pragmatic-eclectic approach to help freshman students become acquainted with as many writing models as possible. To privilege one model over the many others is to ignore the student's need for self- and world-discovery. The composition classroom has become the current center of critical reading and thinking skills,…

Examining the cognitive processes of reading-to-write as they are embedded in the social context of a college course, this introduction to and overview of the 11-part Reading-to-Write Project study focuses on the study as a whole by sketching the reading-to-write task as one of practical importance, as a window on how students integrate reading…