The Purpose of this dissertation is to explore undergraduate Computer Science (CS) students' writing processes and transfer as they occur in the process of completing a writing assignment in a CS course. In particular, I observe and analyze students' writing processes, and investigate examples of writing knowledge transfer from prior and…

Using a mixed-methods, multi-institutional design of general education writing courses at four institutions, this study examined genre as a key factor for understanding and promoting writing development. It thus aims to provide empirical validation of decades of theoretical work on and qualitative studies of genre and the nature of genre…

This article explores the "scope," "foundation," and "application" of autoethnography in first-year composition and critical thinking classrooms. I broaden autoethnography's scope from Mary Louise Pratt's focus on colonial power dynamics to engage rhetoric, discourse, ideology, and materiality at large. I argue that…

Positioned within our field's work on supporting transfer of writing-related knowledge through careful course design, this article describes the development of a pedagogical intervention designed to help students identify knowledge gaps and pose questions about rhetoric and genre. Below, I tell the story of a 2012 teacher research study that…

Process-based composition pedagogy has ignored the question of "doneness": the criteria used to decide when a piece of writing is complete. This article uses survey results from first- and second-year composition courses to challenge common beliefs about how students determine when writing assignments are sufficiently completed. We find…

The College Writing/Elon Academy summer partnership at Elon University offers a program model for supporting underrepresented students' transition to college. While the modified section of a required first-year writing course has some limitations, the summer course supports students' development of more complex writing processes and provides…

This study explored how college freshmen at a mid-sized public university in north-eastern United States used Twitter, an anytime/anywhere writing technology, to support and promote the writing process by using tweets as a pre-writing activity. Two of the authors taught a joint course of First Year Seminar and Basic Reading in which the same group…

Much of Debra Matthews' teaching experience has been with apprehensive writers, and while teaching freshman English to primarily nontraditional students, she found that the students were often nervous about the writing process. The students acknowledged that they felt threatened by the evaluation process, and some were intimidated by the writing…

The study of emotion as discourse not only eliminates objections about the individual psychology of students, it also connects researchers to methods that go beyond reflection and self-reporting. In this article, the author pursues these ideas within the context of a college composition course where students experienced a particularly high level…

The author has been tutoring and teaching writing for fifteen years, but has discovered that few people outside of academia know what it is that she does. Despite the rise in composition graduate programs and the improving market for composition specialists, even within the university, faculty from other disciplines frequently have vague notions…

There are not many English words for "anger." There's "wrath" and "ire," although no one uses "ire" anymore and hardly anyone "wrath." There's "frustration," "resentment," and "indignation," but they don't have the emotional intensity of "anger," a word that…

Reflects on a thematic section on "The Status of Women" taught in a freshmen writing class. Discusses the resistance of the author and students and the angered and impassioned writing that arises when texts challenge the ideologies of readers. (MG)

Describes the work of Barrett Wendell, a composition teacher at Harvard in the late 19th century, giving particular attention to his idea of writing themes--short writing assignments on topics students choose themselves. Reviews one particular student's struggle with Wendell's writing themes. Examines Wendell's political challenges at Harvard as a…

The concept of student voice has become a powerful metaphor in college-level writing class. In this article, the author enthusiastically invites her students to activate their "voices." But like healthy self-concept or freedom or individuality, voice only comes from within. It cannot be given, imposed, and "taught." Too many students seem hesitant…

The problems of writer's block and writing apprehension have just started to be examined in conjunction with modern rhetorical theories and practices. One of the variables that can make students more vulnerable to writer's block and writing apprehension is the degree of freedom the student is granted in the writing assignments. Two such freedoms…