Presents a transcript of an interview with successful young adult author Jerry Spinelli. Describes the techniques and writing strategies used by Spinelli. Discusses ways of generating stories, and the author's concept of his audience. (HB)

Poetry is a powerful avenue through which students can learn to express their voices and to "write like people." In the special needs classroom, where students traditionally have had difficulty with narrative structure, and therefore have gone unheard, developing voice through poetry becomes especially crucial. Samples of students'…

Teachers who restrict their teaching of writing to elements of exposition are likely to fail because there is insufficient content, interest, or challenge in learning simple exposition, and the techniques that contribute to polished exposition are more easily accessible when approached through aesthetic writing. A teaching sequence for using…

A case study of a novice poet based on six interviews reveals significant differences in the writing processes of beginning and experienced poets. While the novice's unfamiliarity with other poets' work or methods of working and his own practice of writing only when he spontaneously finds himself in a certain mood distinguished him as a beginner,…

The six chapters in the book comment upon writing and writing instruction. The first chapter describes the major research of the past 15 years and the ways it has altered how teachers regard the teaching of writing. The chapter compares the American research tradition, with its emphasis on system, sequence, and order, and the British tradition,…

When students write syntheses in response to a rhetorical task, does the rhetorical nature of the task exert some special influence on the students' composing processes? How do these processes differ? Three case studies, quantitative analyses of papers written by seventeen undergraduates, and a tentative model of a synthesizing process address…

Provides eight sequential, process-oriented writing assignments: (1) diagnostic essay, (2) personal account, (3) ghost writing, (4) summary, (5) developing a thesis, (6) exploratory essay, (7) proposal, and (8) final paper. (HTH)

Describes a research project for teachers on reading and writing in which teachers meet regularly in small groups to share their creative writing. (EL)

Describes a fiction writing workshop with Sir Angus Wilson, an inspiring teacher and author, who showed other teachers how to shift class attention from product to process to person. (MM)

Presents a conversation with Sue Ellen Bridgers about her writing processes, novels, publishing decisions, and a recent and successful foray, with her son Sean, into screen writing and filmmaking. Discusses her uncertainties about teaching college courses in creative writing and young adult literature. Discusses her concern that young women…

Through three semesters of teaching the nonfiction essay, an instructor has come to terms with the fact that she has yet to attempt the type of personal essay that she asks her students to write, essays in which personal experiences with death are shared. However, a reminiscence on death through a recounting of her reactions to and understanding…

Spotlighting a variety of venerable poets, as well as some rising stars, this book is the second series of conversations about the lives and works of poets who write mainly for children and young people. The book presents informal interviews with the writers about their childhoods, the influences upon their work, their writing processes, how they…

The "writing workshop" approach to teaching creative writing, virtually unchallenged throughout the United States, has recently come under fire. Two schools of thought, while agreeing that the traditional workshop needs a thorough overhaul, differ in approaches to that overhaul. One approach, using the theories of Harold Bloom, argues…

Using ethnographic techniques to observe seven fifth grade and seven third grade students, a study examined the function of children's oral language during creative writing sessions in typical classroom situations. Findings indicated that oral language plays an important role in the writing process; specifically, that it (1) accompanies writing as…

In a small informal study of the process of children's writing, three children, aged 9, 10, and 11, were observed as they wrote. Specifically, the study sought to discover how the children approached the task of writing, the manner and extent of their interaction, and the result of this interaction upon their writing. Each child's writing was also…