Most Chinese characters comprise radicals that are embedded in a specific structure (e.g., left-right structure like [Chinese characters omitted], or top-bottom structure like [Chinese characters omitted]). We investigated the representations of word-form units (i.e., radicals) in planning Chinese handwritten production. Adopting the picture-word…

Examination of the simplified characters adopted in the People's Republic of China shows that all such characters have been created based on phonetic, graphic or semantic principles. This paper discusses phonetic simplification and lists characters followed by their simpler forms. (CHK)

Describes various distinctively shaped clay tokens used in western Asia centuries before the Sumerians invented writing. These tokens appear to have served as a basis for Sumerian ideographs. ( MA)

Reviews an archaic system of notation using tokens that is the direct progenitor of Sumerian writing. (HOD)

Presents ideographic selections and class exercises from a Chinese first grade primer. Explanations in English are included. (Author/DB)

This publication will provide secondary level students with a basic understanding of the development and structure of Chinese (guo yu) language characters. The authors believe that demystifying the language helps break many cultural barriers. The written language is a good place to begin because its pictographic nature is appealing and inspires…

This article discusses the relationship between human gestures and the development of Chinese characters. The four main principles of Chinese writing are outlined, and the characters are discussed in terms of whole bodily attitudes, spatial relationships, and foot and manual gestures. (CLK)

This workbook, intended for use in a bilingual education setting, is designed to accompany the Level Two reader of the same series. Each page presents the Chinese characters in clear, large, pen-and-ink drawings, and provides spaces in which to copy and practice them. (AMH)