Life for the population in the Czech Republic came to a standstill in spring 2020 due to measures enacted in relation to the Coronavirus epidemic: a travel ban and closed borders, the cancellation of physical lessons at all types of school, the closure of stores except those securing basic necessities, radical restrictions to free movement of…

During the fall 2020 semester, classes at my institution were taught almost entirely online in response to the COVID-19 pandemic. In order to promote student engagement in the online environment, I developed the Artistic Office Hour to promote casual social interactions outside of synchronous class-time. During the Artistic Office Hour, students…

The main aim of this paper is to address the increasing need for science-art integration across all levels of education globally. Specifically, the need to identify a signature pedagogy for the Global Science Opera (GSO) that can be used in teaching and learning contexts in formal and non-formal education. This part of the paper draws upon the…

Theatre education research shows the power of the art form to transform students' experiences of themselves as well as their relationships with peers and the larger world. The process and product of theatre learning incorporates creative and technical skills across many learning disciplines. Access to adequately resourced and standards-based…

The goal of this bibliometric analysis is to determine the general trend of publications. Larsen, P.O. and von Ins M.G. are the most influential authors. Routledge is the next most influential publication. The majority of the research on the issue of traditional art learning was backed by as many as 301 links. As novelty a result, this study…

This report concerns the nonrenewal of the part-time appointment of Professor Erika López Prater at Hamline University after a student complained of having been offended by Professor López Prater's presentation of two images of the Prophet Muhammad during an online session of her art history class. The report also examines related matters…

Michelle Angela Ortiz is a visual artist, skilled muralist, and community arts educator who uses her art as a vehicle to represent people and communities whose histories are often lost or co-opted. Through community arts practices, painting, and public art installations, she creates platforms for social change. In this article, she describes some…

In this research, it is aimed to examine the perceptions of artwork of middle school 5th, 6th, 7th and 8th grade students within the scope of Art Criticism and Aesthetics learning field acquisitions in the Visual Arts Curriculum. This research is a qualitative research and was designed in the general survey model, which is one of the descriptive…

For the past 10 years, Creative Classrooms has partnered with schools to develop learner-centered visual arts programs for students in kindergarten through 8th grade. This program is part of the Children's Arts Guild, a New York City nonprofit. The program works with schools to train art educators through monthly professional development…

In this article, I explore politics in children's art practices that divert from normalized accounts of children's art and lives, especially those that seek to compartmentalize the child, children, and children's artmaking, grounded on the ideas of French philosopher Jacques Rancière--namely, the distribution of the sensible, politics, and…

The globalization of art therapy requires a high level of multicultural competence among art therapists for ethical practice, which includes understanding the traditional materials of the client's culture. However, the common materials used in art therapy remain mostly Western, which neglects the therapeutic value of art materials from outside the…

This paper focuses on "Pictures for Schools," an art patronage scheme established in postwar Britain by the artist and educationalist Nan Youngman (1906-1995) to sell affordable works of art to educational establishments. Highlighting the use of works of art as a pedagogical tool, "Pictures for Schools" is contextualised within…

The COVID-19 pandemic is a global, collective, traumatic experience. Trauma-aware museum educators can play a therapeutic role in helping visitors reengage with life as the world reopens. This article explores the dynamics of what a trauma-aware approach to engaging with art may be, specifically detailing methods that can create new cognitive,…

The formation of a professional identity is a continuous process. A Ghanaian art educator shares her experiences of studying to become an art therapist in the United States by exploring her use of art and narratives. She describes a journey of overcoming her anxieties and as part of her evolving identities -- cultural, social, professional.

Reflections on 5 decades of art therapy experience continuously return to a focus on how art heals. This question is addressed along two lines of thought. The first acknowledges the simultaneous existence of transcultural, shared dimensions of art, together with infinite differences in people, communities, and artistic expressions. The second…