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Kelly Ozust – Dance Education in Practice, 2025
Musical theater dance pedagogy often emphasizes performance over creation, leaving students with limited tools to contribute meaningfully to the creative process of musical theater productions. This article explores a pedagogical approach that integrates compositional tools throughout the curriculum, empowering students to move beyond rote…
Descriptors: Dance Education, Theater Arts, Dance, Creative Activities
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Masoud Kazemi – International Journal of Education & the Arts, 2025
This article aims to provide a comparative study between theater and performance art, focusing on a particular approach to design and execution in theater. In this approach, everything happens collaboratively, and instead of individual directing and playwriting, design and execution are carried out as a group effort, with the author primarily…
Descriptors: Theater Arts, Playwriting, Dramatics, Cooperation
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Michael M. Metz; Nadia Ganesh; Kevin Hobbs – McGill Journal of Education, 2025
Implicit bias education in the health sciences is crucial for disrupting the individual and systemic oppressive values that contribute to inequitable access to healthcare. In short, implicit bias can kill. Through a Playbuilding approach, dramatic vignettes on implicit bias were shown to undergraduate health science students in a performance…
Descriptors: Health Sciences, Bias, Drama, Theater Arts
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Aline Verbeke; Julie Rodeyns; Free De Backer – Research in Drama Education, 2024
The presence of non-disabled artists challenges the possibility of disability aesthetics in arts and disability projects. This study therefore examines the meaning of disability for the aesthetics of their collaborations and artistic practice through in-depth interviews with twelve Belgian non-disabled performing artists. The findings show that…
Descriptors: Disabilities, Theater Arts, Artists, Attitudes toward Disabilities
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Christina Cook – McGill Journal of Education, 2025
This article addresses the question: What are the expansive possibilities offered by a trans-informed Research-based Theatre (RbT) creation framework? Drawing on excerpts from an autoethnographic playscript which centres on my experiences as a graduate student while coming out as a nonbinary trans woman, I explore specific and adaptable strategies…
Descriptors: Theater Arts, Graduate Students, Student Experience, Gender Identity
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Vanessa Chapple; Daniel X. Harris; David Rousell – Research in Drama Education, 2024
This article considers the related concepts of 'rehearsal' [Harney, Stefano, and Fred Moten. 2013. "The Undercommons: Fugitive Planning & Black Study." Brooklyn: Minor Compositions] and 'catastrophe' [Stengers, Isabelle. 2015. "In Catastrophic Times: Resisting the Coming Barbarism." Translated by Andrew Goffey. London: Open…
Descriptors: Climate, Infants, Mothers, Foreign Countries
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Karen Bunning; Nicola Grove – British Journal of Learning Disabilities, 2025
Background: The last decade has seen developments in collaborative multi-sensory theatre and dramatic performance involving individuals with profound and multiple learning disabilities. The current study investigated co-development processes used by a multi-sensory theatre company that employed four artists with profound and multiple learning…
Descriptors: Multiple Disabilities, Theater Arts, Severe Disabilities, Multisensory Learning
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Thalia R. Goldstein – Journal of Creative Behavior, 2025
Theater is considered one of the creative arts, and participation has long been tied to such disparate outcomes as creative thinking, empathy, and emotional understanding. Yet research on what actually happens in a theater classroom from a psychological perspective has been lacking. In particular, how thinking strategies beyond improvisation, used…
Descriptors: Creativity, Creative Thinking, Theater Arts, Drama Education
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Kamila Lewandowska; Mikolaj Bojnarowicz – British Educational Research Journal, 2025
Practice-based research (PBR) has emerged as a valuable alternative to traditional scientific methods by generating knowledge through practice and enhancing the relevance of research to practitioners. However, knowledge about PBR has largely been developed within disciplinary silos, leading to its limited cross-disciplinary understanding. This…
Descriptors: Educational Research, Theater Arts, Research Methodology, Educational Practices
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Marsha Barsky – Journal of Dance Education, 2023
One of my principle aims as a dance educator is to cultivate somatic-based learning environments so that students develop, integrate, and hone a holistic, embodied sense of self. In order to achieve this objective, I strive to help students connect their movement to their ongoing thoughts, sensations, and perceptions. In this article, I describe…
Descriptors: Dance, Educational Environment, Movement Education, Teachers
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Dennis Gupa; Joey Lianza; Merlie Alunan; Kenneth Alvin Cinco; Arjay Babon; Badulid Aivee – Research in Drama Education, 2024
In this provocation, the authors argue that nothing is rehearsed in dealing with climate disasters in the Philippines. People at the centre of climate disasters do not have time to rehearse; every enactment of resistance is improvisational from surviving climate emergencies. As theatre practitioners and poets of Sirang Theatre Ensemble, we…
Descriptors: Foreign Countries, Climate, Natural Disasters, Theater Arts
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Yutthapoom Suwannavej; Watcharaphong Soongpankhao; Suwanna Kemdang – Journal of Education and Learning, 2025
Thai performing arts play a crucial role in Thailand's tourism industry. This article discusses Thai Dancing Arts' role in promoting Thailand's creative tourism, relevant models, and theories. The article also displays a prototypical example of the Thai dancing lesson in conjunction with the use of technology. Additionally, the article delves into…
Descriptors: Foreign Countries, Tourism, Theater Arts, Dance
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Manfredi de Bernard; Roberta Comunian; Sarah Jewell; Elisa Salvador; Dave O'Brien – Industry and Higher Education, 2024
This paper reflects on the systematic interconnections between creative workers and higher education institutions (HEIs). Despite the latter representing key intermediaries in creative industries' development and creative workers' career trajectories, the relationship between the two has rarely been framed in a relational and systemic framework.…
Descriptors: Foreign Countries, College Graduates, Drama Education, Acting
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Susan M. Cox; Matthew Smithdeal; Michael Lee – McGill Journal of Education, 2025
Graduate supervision profoundly impacts graduate student, faculty, and staff wellbeing. Tensions within supervisory relationships are further complicated by equity and inclusion related barriers facing marginalized communities within academia. To address this situation, we created Rock the Boat, an open access educational resource that uses…
Descriptors: Graduate Study, Supervision, Drama, Open Educational Resources
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Phelps, Ann; Brown, Dylan – Educational Theory, 2023
Theatre practitioners use empathy formation techniques within their acting methodology to develop particular characters for the stage. Here, Ann Phelps and Dylan Brown argue that, when Constantin Stanislavski's seminal dramatic method is placed in conversation with exemplarist moral theory, acting can become a tool for moral formation. To…
Descriptors: Theater Arts, Empathy, Moral Values, Leadership Training
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