Poets Ray Young Bear (Mesquakie), James Mitsui (Japanese American), James McAuley (Irish-American), Alex Kuo (Chinese-America) and Elizabeth Cook-Lynn (Sioux) participated in this forum on the legacy of culture and the creative process. Genres, culture, and definitions of ethnicity were discussed; and an audience participation question-and-answer…

States that psychological models help shape students' responses to literature. Explains how a Freudian model can be used to explore the meanings inherent in Emily Dickinson's "A Narrow Fellow in the Grass." (MM)

The creative process and developmental stages of writing Haiku are illustrated with examples in the theme areas of beauty, humor, desolation, and companionship. Also noted are the use of rhyming, alliteration, personification, and action, along with the value of poetry writing in learning self-discipline and achieving a healthy mental state. (JDD)

Describes a method used to show students the difference between poetry and prose. Points out that such a method, although effective and enjoyable, fails to meet government standards for oral assessment work. (ARH)

Reviews Pat Smith's 1985 book, TALKING AND LEARNING IN SMALL GROUPS: PUPILS AGED 12-13 IN CONVERSATION ABOUT A POEM. Concludes that the book discovers anew that creativity belongs at the center of schooling as it connects art-thought, science-thought, and everyday thought. (GEA)

Considers influences on the design and production of books at the turn of the century, including the influences of symbolists and other European poets (e.g., Blake, Wilde, Verhaeren, Maeterlinck, Baudelaire, Mallarme, Huysmans, George, von Hofmannsthal, and Rilke); book designers, typographers, and printers; and the Art Nouveau school. (DMM)

The poem, "Paterson," is analyzed in the context of Paterson, New Jersey over 40 years. Changes that have taken place in the main symbolic sites of the poem are examined. In part, the poem led to changes in the area. Now the poem is a part of the city's culture. (VM)

Presents (1) a dialogue approach to spelling for remedial students, (2) a list of activities that can encourage students to be active readers of poetry, (3) guidelines for modifying tests for mainstreamed students, (4) a method of encouraging efficient notetaking which utilizes active class involvement, and (5) the addresses of several…

Describes four major areas of creative arts that can be used in the reading classroom to enrich and enhance the reading program: music, graphic arts, puppetry, and poetry. (FL)

An approach that teaches secondary students about Vietnam within the framework of the world history/world culture course is described. By reading and studying Vietnamese fiction and poetry, students learn about Vietnam from a Vietnamese perspective instead of the usual exclusive Western viewpoint. (RM)

Defines the form, subject, structure, language, and feeling of haiku, a Japanes verse form in which a short poem captures the essence of natural events. Provides guidelines for using haiku in nature education. (LFL)

Describes a model for a poetry writing project that aspires to transform students into sounder thinking, more sensitive human beings. The project, which was used in a grade eight class, includes writing and editing original poetry, class discussion, and creating books of student poetry. (KH)

Attempts to show in detail how the human literary activity called literary interpretation consists of personal selection and use of communal tools. (CRH)

States that there is a strong cognitive basis to the appreciation of verbal music (the sound sequences of literary works) and that by using the framework explained, students will open themselves to verbal music and its expressive qualities and intensify their awareness of the work's content. (DF)

Argues that choral reading of poetry can help children develop fluency in reading and offers some techniques and some poems for use in choral reading. (FL)