Describes a poetry teaching method in which prereading strategies are used to spark interest and focus on those devices students are expected to learn. Presents samples of poems students wrote imitating devices in the model. Notes that, although not all students became fans of poetry, they developed an appreciation for the poet's task. (RS)

Notes that the "other half" of whole language is the enjoyment of expressed meaning, speaking and listening, and performing and experiencing performance. Describes interactive multimedia technology that can provide opportunities for students to experience theater and poetry as audiovisual productions. (RS)

Includes five teaching suggestions: "From Marvell to Tennyson to Eliot: Or Are You a Prufrock or a Ulysses?" by Bill Shaw; "Attendance and Contact Records," by Kaye E. White; "Viewer Mail," by Paul Hunter; "Electronic Journal," by James W. Smith; "Responding to a Need-for-Advice Question," by John…

Reviews two videocassettes focusing on modern American poetry: "Moyers: The Power of the Word" and "Voices and Visions." (MM)

Describes a poetry assignment in which students select a poem to analyze and present before the class. Observes that unlike the traditional postures of detachment and impersonality, this approach of self-selections encourages students to establish an intimacy with poetry. (MM)

Describes a poetry-presentation assignment in which students select poems from examples studied in class and prepare oral presentations incorporating visual, dramatic, technical, or musical arts. Describes several student presentations resulting from this assignment. (MM)

Discusses the ways in which poetry can be used to highlight literary aspects of children's books, such as characterization, locale, mood and archetypes. Suggestions are offered for the selection and use of poetry by teachers and librarians. (23 references) (CLB)

Explains how a hermit crab, the classroom pet for a class of learning disabled elementary level students, stimulated various writing-related activities, including categorizing, information gathering, and poetry writing. (MM)

Describes an exercise in which students write Diamante poems using prompts from the FrEdWriter word-processing program. (MM)

Describes "cooperative poetry," a group poetry-writing exercise combining brainstorming, rehearsing, choral reading, assisted reading, memorization, sequencing, and vocabulary development, as well as providing an opportunity for group cooperation. (MM)

Describes a poetry-writing formula that guarantees successful results for writing poems at the elementary level. (MM)

Reviews the literary forms and trends of Chicano literature. Discusses the growing critical canon accompanying the development of this literature, and describes pedagogical approaches to courses and curriculum planning in this area. (SR)

Describes how freeform poetry can be created out of newspaper or magazine articles. Provides a sample student poem. (MM)

Offers several justifications for the claim that code-switching is a positive, not a negative, phenomenon. Included are three examples of "mixtilingual" poetry: poetry "mixing languages" in order to evoke different feelings and images within a certain cultural context. The poems mix English and Spanish, English and Italian, and Italian and…

Argues that, in poetry where phonological patterning is dominant, some deviation from standard uses in the other linguistic systems (grammar, lexis) is inevitable. (Author/CK)