Considers how, due to many English teachers' lack of interest in poetry, many students gain the same lack of appreciation for poetry. Presents a case for poetry and notes its appearance in public places more and more. Suggests collections of poetry to interest students. (SG)

Discusses authors' uses of imagery and suggests related activities for elementary school students. Highlights include using pictures to relate imagery to students' senses; the use of poetry; a worksheet that relates specific examples of imagery from a novel or poem; visualization; making a filmstrip; and appropriate evaluation. (LRW)

Discusses T. S. Eliot's communicational scepticism, defined as "...the idea that meaning is to some extent private to each individual, since language is an inadequate instrument for conveying thoughts from one mind to another." The article examines various issues relating to the literary criticism of Eliot's poetry. (20 references) (CK)

Discusses materials that help primary-grade students develop a richer supply of words: books, audiotapes, and magnetic poetry kits for teachers and/or for students. (SR)

Relates how the author teaches elementary and secondary school students to write nexus poems--poems that use a nexus, or bridge, to persuade the reader, or to show the reader the link between where something originates and where people use it. (SR)

Describes two gaming strategies which teach poetry using quotations extracted from six Shakespeare plays. Discusses selecting plays and quotations, games for matching quotations, and providing synopses and introducing characters. Describes in detail learning objectives, player distribution, adjudicator role, procedures and rules, and debriefing…

Considers the ideological and imaginative potential of literature for questioning notions of Canadian identity in the social studies classroom. Compares various literary texts and considers how writers attempt to create a unified metanarrative. Contrasts texts from the early twentieth century with contemporary Canadian literature. (CMK)

This article discusses strategies for differentiating the curriculum for gifted students by using a creative approach to language teaching. It provides suggestions for co-operative and creative classroom language activities, including making a syllable pie, starting a dictionary of sub-cult words, cryptic crosswords, poetry, and tracing language…

Offers a strong rationale for the idea that the journey of writing good poetry begins on a path that infuses technology into the first stage of the writing process. Presents several ideas of ways to incorporate technology into the prewriting poetry experience. Concludes that by making technology an ingredient, the true potential for synergy…

Presents four primary-level activities designed to help students learn to love words and enjoy the process of writing. The activities help students craft poems, build their vocabularies in writing, integrate more imagery into their writing using rebus stories, and find missing parts in their stories through questioning. (SM)

Discusses the creation of "Becoming One with the Lights," a new kind of poetry anthology for classroom teachers, teenagers, and parents. Considers how poetry by adolescents is an untapped resource for classroom use. Suggests the development of an anthology including young adult poems clustered thematically with published adult poets. (SC)

Introduces a project incorporating creative writing and advanced placement chemistry. Uses texts and laboratory experiments for the basis of the writing assignments. (YDS)

Keith Park, advisory teacher for Sense (the National Deafblind Rubella Association) in Greenwich and Lewisham, London, has written about his approach to interactive storytelling for BJSE before. This article describes a series of poetry workshops based on chapters 37 to 45 of the Book of Genesis (the story of Joseph and his family) using the text…

For thousands of years, the three perfections--painting, poetry, and calligraphy--have been considered the mark of an enlightened person throughout Asian cultures. Fifth-grade students learned about these three hallmarks by studying three works from the Detroit Institute of Art's Asian collection: a nineteenth-century Japanese hand scroll, a…

In this article, the author answers specific questions: Just how do I foster an aesthetic stance? What types of activities encourage an efferent stance? She carefully explains her position--that the aesthetic stance in reading is missing in schools--and outlines what teachers must do to balance efferent reading with aesthetic. She also discusses…