Illustrates how poems engage readers in heightened experiences of the world and of language itself. Shows some of the strategies that adults and elementary students employed when reading and responding to poems: summarizing the poem, entering in and opening out, entering the world of the poem, opening to the outside world, finding rich…

Describes a writing program involving second/third grade students and a university language arts class. Discusses a thematic unit and associated writing activities on the themes of winter and poetry. Notes that both groups of students developed better clarity in their written work. (RS)

Describes two class activities which used a computer software program to allow junior and senior high students to discuss and create on computers, electronically, in real time. Describes an online discussion in a large group, as well as a pairing activity in which two students worked together online to create an original poem. (SR)

Presents a second discography (of compact disks only) which lists American literature (primarily poetry) set to music. Notes two publications that may be of use to those well-versed in literature but less knowledgeable about music. (SR)

Examines George Herbert's sonnet "Prayer" to argue for the integration of literary and linguistic approaches to the critical appreciation of poetry at both A/AS and university levels of the GCSE (General Certificate of Secondary Education). Presents a model analysis of the sonnet and discusses why its distinctive linguistic and literary features…

Recounts the author's own experience writing about deeply painful experiences in her own life, and the gift of healing this journey offered. Argues that such writing takes a special kind of courage, and that these books (a volume of poetry about sexual abuse, and the other a novel about a troubled family) hold out a promise of hope and healing.…

Argues that Emily Dickinson's gender and genre moved her away from American Transcendentalism and toward pragmatism. Suggests that Dickinson's choice of poetry forced her to formulate a self that the American Transcendental prose writers could evade, and that her gender freed her from the restraints that the Romantic movement placed on women. (TB)

Recounts a teacher's relationship with a problem 16-year old whose reading and writing skills lagged far behind his age group. Holds out the possibility of inch-by-inch progress for even the most difficult students and the prospect of a mutually satisfying relationship for even those teachers and students who do not seem to get along initially.…

Presents an annotated list of recently published books, in English, for children and teenagers, that reflect on the Puerto Rican and broader Latino experience. Recommended works for intermediate readers include folktales, country studies, and a sports biography. A critique is provided for each entry discussing its value, or problems, for both…

The conjunction of poetry therapy and family social work is briefly discussed with respect to philosophical, theoretical, and professional issues. Noting the scope of poetry therapy, fourteen techniques applied to family therapy are examined. The limitations of poetry therapy and new directions for practice and research are noted. (KW)

Provides an explicit critique of existing poetry teaching practices which illustrates how adolescents, particularly boys, develop antipathy to this genre. Describes the theory and practice of "responsive teaching." Reports selected findings from a three-year action research investigation examining how keen readers of pre-twentieth-century poetry…

Spanish-speaking adolescents' interests and tastes in books vary as much as those of their English-speaking counterparts. This annotated bibliography includes brief short stories, realistic novels, an Internet guide, engrossing mysteries, passionate poems, all recently published books available for Spanish-speaking adolescents. (AEF)

The first section describes visual and aural reading strategies for a women's literacy class, using literary analysis of a poem. The second recounts the same group's experience writing persuasive letters or short reports based on a museum visit, which enabled hands-on learning and integration of local and student knowledge. (SK)

Describes how college students are flocking to programs that teach them how to produce fiction and poetry, and that schools are adding majors and concentrations to meet the demand. (EV)

Describes the author's experiences teaching Girl Scouts writing and poetry. Concludes that she learned many crucial lessons from her students including lessons on power relations in the classroom, on communication across cultural and even generational divides, and on the varieties of poetry that can be made by the varieties of imaginative…