Background: The use of participatory visual methods in humanities, health, education and social science research to study 'sensitive' subject matter with children and young people is growing. Such approaches have been widely -- though sometimes uncritically -- celebrated for contributing to safe data elicitation, promoting participant influence and strengthening research dissemination and impact. Some authors have pointed to their political contributions -- challenging the traditional politics of representation and fostering critical consciousness and thinking. Methods: This article explores these claims, reflecting on a study using creative and participatory methods to explore the concept of 'resistance' among young people affected by sexual violence. It begins by outlining the background, rationale and use of creative methods in the project, moving from plans to utilise 'Photovoice' methods to a more diverse and responsive set of creative methods. Findings: The paper presents evidence for the contribution of such methods to creating safety and fostering participation while developing new conceptual thinking among researchers and participants. Conclusion: In this project, the success of creative methods is rooted in the dynamics of what we term "spaciousness" and "playfulness" which support dialogical practice. These dynamics are critical to enabling a safe participatory culture that bridges divides between stakeholders of different status, identity and ownership.