Presents the idea that students should develop different writing styles. Encourages writing poetry regularly. Focuses on the need for a student to develop a prose style from his or her culture. Encourages students to develop professional, academic writing. (PM)

Describes how the author asks students to turn off their monitors (literally and figuratively) and key into their "processors." Describes a tactile writing exercise to emphasize the sensation, the feel, that "writing with flow" generates. Notes that this experience of flow is vital to his vocation as a writer and as a writing instructor. (SG)

Proposes that the qualities of nonsequentiality that make hypertext appealing to writers and readers of informative and literary texts are also those that problematize arguments in the same settings. Contends that for a hypertextual argument to succeed, it should clearly employ the fundamentals of giving good reasons and ample evidence. Presents a…

The 1987 teacher of the year from Wisconsin describes ways in which he implements the writing process among third and fourth graders. Sometimes using his own writing as a model, he shares the processes of brainstorming, drafting, revising, and publication with the students. (DG)

Argues for a contingency view of communication clarity and effectiveness based on the impact that an organization's language customs have on perceived effectiveness. Examines the psychological-social function of organizational language and discusses the role that language has in creating new knowledge in organizations. (KEH)

Reviews three professional resources which discuss the issue of the best time to present specific components of the language arts curriculum. (MG)

Cites essays by Joan Didion, John Berryman, and Martin Luther King in arguing that the essay, no matter how serious, can be considered as a fiction and a playful, exploratory and deeply interesting rhetorical game. Describes how these works were used to teach students that the essay is a living document calling for interaction. (SG)

Describes an introductory creative writing lesson in which students gave low grades to passages they later learned were written by William Faulkner and Ernest Hemingway. Reports that the students graded mainly on mechanics and grammar (and very little on content). Notes that students began to learn to manipulate the various aspects of writing. (RS)

Surveyed 107 academics from the University College of Wales, Aberystwyth, in 1991 concerning their writing strategies and tools. Results found that 77% used word processors and that 53% used the 3-stage approach to writing that emphasized planning, writing, and revising. (Contains 10 references.) (MDM)

Reports on teaching strategies that strengthen students' reading skills in identifying how autobiographical writers signal specific purposes. Notes that students benefit from making stronger links between their reading and writing. (SR)

Describes an assignment that introduces students to argument through a collaborative process of data collection and problem solving. States that the goal of the assignment is to build students' confidence in their ability to apply the kinds of thinking and writing strategies they will need to succeed in college. (PRA)

Presents four ideas for writing lab strategies and activities. Discusses creating prewriting collaborative research teams, learning new software, peer review, and supporting evidence. (SR)

Describes a first-day assignment for writing courses called a "writing autobiography" in which the student is asked to identify and assess their own strengths and weaknesses as writers. Argues for the value of having students consider their processes as writers. (HB)

Offers a profile of today's newsletters and includes suggestions for producing a successful newsletter. Provides a checklist for writing case histories and an outline of major types of newsletters and house organs. (SR)

Lists 43 annotations of articles on resume research and instruction, textbooks on business communication, and sources on rhetorical issues, visual theory, and graphic design of resumes. (PRA)