Teachers committed to breaking the silence on lesbian and gay issues in college-level writing classes can consult a growing body of literature by teachers similarly committed. None of this literature, however, has yet identified ways to bring readers in "queer" theory to the undergraduate writing class. Examining the work of four…

Whatever the view an educator takes of collaborative learning, it does seem that it takes a lot of class time. However, computer networking capabilities allow for all the advantages of collaborative learning without requiring the instructor to devote large blocks of precious in-class time to encourage it. Five good ways to use networking…

Since the first definitive references to portfolio evaluation in assessment literature, metaphors have been significant in shaping students' and teachers' understanding of the role of the portfolio in the writing classroom. Consider the range of metaphors employed in discussions about portfolios. Margie Krest, for instance, emphasizes the social…

A collaborative faculty project was something of a failure for one instructor. About a year ago, the instructor invited everyone in the department to meet in her office every third week to talk about teaching literature and composition. The immediate concern was the use of writing in three general education literature courses that had been…

Rather than having established forms available to pour things into, forms frequently need to be built from the ground up. Practically, it is simpler to use assembly line production for academic work, and most of academic writing is relatively linear objective prose. However, boundaries are being crossed in diverse disciplines by a number of…

In process-oriented composition studies, few concepts are more universally accepted than that of the decentered classroom. Ken Macrorie, Peter Elbow and Don Murray, in their publications of the late 1960s and early 1970s, began a movement to place students, with their writing and their ideas, at the center of writing instruction. While most…

Teachers know that these metaphors affect the teaching of composition: the banking concept of knowledge, student ownership of writing, and writing as risk-taking. However, these metaphors explain more to teachers and less to students who are writers. When teachers speak of the writing process in such terms as mapping, voicing, and brainstorming,…

One professor's motives in organizing writing workshops with panels of faculty members talking in their fields about writing issues were both political and philosophical. As director of the writing center at the Claremont Graduate School, in 1993 she feared that with latest round of budget cuts the writing center was in danger of elimination.…

Currently, many college and university English departments are reviewing the purpose of their departments. Are they still departments of literature? A writing program is best served by staying in an English department, with the caveat that the department move towards a cultural studies curriculum--the writing program within an English cultural…

This paper discusses the emergent perspective in composition studies that sees discourse forms as producing material effects and writing classrooms and programs as part of an apparatus for producing subjective forms, which individual students are then induced to inhabit. The paper suggests that the closed circuit of the classroom is overdetermined…

This book, originally an invited lecture given at Harvard, recounts the formative experiences of Alfred Kazin, a Distinguished Professor of English, Emeritus, at Hunter College and at the Graduate Center of the City University of New York and a well-known literary critic. A blend of autobiography, history, and criticism that moves from New York in…

This collection of essays approaches "voice" as a means of expression that lives in the interactions of writers, readers, and language, and examines the conceptualizations of voice within the oral rhetorical and expressionist traditions, and the notion of voice as both a singular and plural phenomenon. An explanatory introduction by the…

This paper attempts to explain the relationship between publication and professionalism in the culture of the American research university. To act, order, and believe in relation to the dominant image in contemporary composition studies is to understand published, professional discourse as the sacred well of the culture. The published discourse of…

Developed by educators from the Emily Griffith Opportunity School, this teacher's guide presents an 8-hour course in writing for police officers. The course is designed to help officers improve the accuracy and appearances of their reports and to help them take responsibility for becoming more independent writers. Each of the four lessons in the…

Learning disabled writers are unable to incorporate text structures to plan their writing; they stop writing before their point is stated; their writing includes redundancies, irrelevancies, and many mechanical and spelling problems. Studies indicate that learning disabled writers use simplistic and/or ineffective planning strategies while…