One way to counter drop-out rates in music programs is to teach all young children how to sing. A first step is to teach children how to differentiate their individual voice registers. They should then be taught to recognize and remember melodies, and appropriate song materials should be selected. (CS)

This paper discusses the scholarly volume, "I Sing for I Cannot Be Silent: The Feminization of American Hymnody, 1870-1920" (June Hadden Hobbs). The book is a multilayered representation and reflection of both a particular textual community and of that community's cultural notions of gender and power. The volume uses a rhetorical…

Speech teachers and singing teachers have much in common. Both attempt in their teaching to develop the most powerful and effective instrument possible while trying to avoid vocal problems. Both have studied the physiology of the vocal mechanism to assist them in their teaching. Both are concerned with the expressive qualities of the voice as well…

This document contains issues of "Teachers Magazine" from September 1914 to June 1915, published monthly except for July and August. Issues typically include sections with music, plays, songs, poems, and games; a calendar for the month; monthly plans; and sections on picture study; current-events classroom talks; grade work; books; and…

This document contains monthly issues of "Teachers Magazine" from September 1906 to June 1907. Issues typically include sections with music, plays, songs, poems, and games; a calendar for the month; monthly plans; and sections on picture study; current-events classroom talks; grade work; books; and miscellaneous topics. [This volume was…

This document contains issues of "Teachers Magazine" from September 1910 to June 1911, published monthly except July and August. Issues typically include sections with music, plays, songs, poems, and games; a calendar for the month; monthly plans; and sections on picture study; current-events classroom talks; grade work; books; and…

Describes the intermediate steps between unison and part singing, and lists several activities to prepare for part singing. (GB)

To succeed in today's competitive opera world, a singer needs--in addition to a good voice--personality, acting ability, good appearance, musicianship, language facility, versatility, and experience. Especially important are sight reading skills, care of the voice, and the ability to express emotion. Part of a theme issue on opera. (Author/SJL)

The Total Communication Choir of the Saginaw, Michigan, public schools integrates deaf and hearing elementary and junior high students in music performance. All students both sign and sing. Methods used to instruct the choir are described. (SJL)

This listing includes currently available unison and two-part secular vocal music by American women composers, suitable for the primary and middle school level. Citations include information regarding collection, arrangement, publisher, accompaniment, difficulty, vocal range, and special effects that may be incorporated in the composition.…

Examines trends in popular music by analyzing the number one recordings from 1940 to 1977 in terms of the relationships among four variables: manufacturer (market concentration), song type (musical genre), artist type (performance mode), and lyric content (vocal message). (JMF)

Notes that songs can bridge generations, draw students and teachers together, and remain forever in a child's memory. Suggests the following approaches for early childhood educators: sing with children, share favorite songs with students, allow students to sing and share their favorite songs, and do not focus on students' musical memory. (LBT)

This article explains how children learn to sing and discusses criteria for selecting songs suitable for young voices. Teachers should begin with the familiar, proceed with what is comfortable, move on to what is functional, and reach out to new ideas. Provides sources for and examples of appropriate records, tapes, songbooks, and story songs.…

A number of different cues allow listeners to perceive musical meter. Three experiments examined effects of melodic and temporal accents on perceived meter in excerpts from folk songs scored in 6/8 or 3/4 meter. Participants matched excerpts with 1 of 2 metrical drum accompaniments. Melodic accents included contour change, melodic leaps, registral…