The purpose of this catalogue is to make available basic information on the holdings in the Institute's Sound Archive. Tapes from approximately 150 depositors are listed, containing speech and linguistic material, myths and stories, and the music of songs and dances. A language/tribe index and a subject index compiled on a geographic basis are…

THE DEVELOPMENT OF CLASSROOM TECHNIQUES AND MATERIALS TO HELP CHILDREN FIND AND LEARN TO USE THEIR SINGING VOICES WAS REPORTED. THE PROJECT WAS BASED ON THE BELIEF THAT FINDING AND USING HIS SINGING VOICE IS THE FIRST STEP A CHILD TAKES TOWARD SUCCESSFUL MUSICAL LEARNING IN THE ELEMENTARY SCHOOL. THE STUDY HAD THREE PHASES. PHASE 1 CONSISTED OF AN…

Multiplication rock music was conceived as a way to teach multiplication to children. The songs had to be deviously educational, teaching the children without their realizing they were being taught and had to complement the methods of the new math. The project that produced the music is described. (RM)

This bulletin has been prepared to help teachers and parents understand the contribution of creative expression in the all-around development of children. In order to achieve balance among the various learning activities, a school program needs to give appropriate emphasis to the creative arts. Because all the arts are closely related, a broader,…

Examines the nature and history of the Kahnawake Mohawk settlement's participation in the entertainment industry, including some of the Iroquoian roots of ritual parody that contributed to Mohawk performance. Notes some of the effects of entertainment on the settlement's traditional culture. (SB)

Outlines a series of simple yet effective practices, techniques, and tips for improving the singing voice and minimizing stress on the vocal chords. Describes the four components for producing vocal sound: respiration, phonation, resonation, and articulation. Provides exercises for each and lists symptoms of sickness and vocal strain. (MJP)

Explains how moving, singing, and having fun build character, confidence, and coordination while helping children grow up feeling good about themselves. These activities provide an integrated, multisensory approach to learning. Employing a variety of fun and effective activities also helps children release stress and tension. (TJQ)

Questions how musical events educate, examining the debate between emotional and cognitive responses. Compiles arguments from musicoaesthetic and musicotherapeutic discourses. Identifies limitations in each line of reasoning as it explores how the musical experience is located in the self. Suggests a relationship between voice and mood. Offers…

Using recorded music in elementary classrooms encourages creative learning. The article offers ideas for using music in language arts and social studies; suggestions for using literature about children's songs to promote classroom unity; a model for using computers to integrate music, language, and art; and a guide to music resources. (SM)

This theme issue on communication includes annotated listings of Web sites, CD-ROM and computer software, videos, books, and professional resources that deal with various methods of communication. Sidebars discuss mythology, photojournalism, sharing ideas on the Web, and songs of protest. Suggestions for class activities are also included. (LRW)

Surveys some of the research in music education that validates the inclusion of music for its own sake in models for early childhood learning. Focuses on topics that include, but are not limited to, child and vocal development, the importance of movement for children, and adult involvement in music education. (CMK)

Contends that many choral programs suffer from a continued dependence on the piano for music learning and intonation. Provides suggestions that will help students develop sight-reading and singing skills that are not centered around the piano, such as creating a sight-reading system and having students read choral music immediately. (CMK)

Seeks to determine whether children's singing games are valid and reliable for use in authentic assessment of vocal pitch accuracy; reveals this to be true. Concludes that these games can be used in authentic classroom vocal pitch assessments and should be used as part of a larger, multiply-contexted assessment scheme. (DSK)

It is observed that courses in French diction for singers generally do not, but should, include instruction in reading comprehension for knowledgeable interpretation of French lyrics. A course syllabus designed to meet singers' needs is presented, and related issues are discussed. (Contains eight references.) (MSE)

Advocates using the singing voice and the study of folk music in instrumental instruction. Recommends instrumental teachers confer with voice teachers to coordinate ideas and terminology. Includes several excerpts of scores and musical exercises, as well as a list of selected resources. (MJP)