Explains why reenacting trial scenes from literature should be a useful reading, writing, and speaking activity in English classrooms. (RL)

Covers the rationale behind the creation of a labor studies curriculum, an example of a successful program, teachers' advice on integrating labor studies into existing curricula, a resource list, and a brief chronology of important dates in U.S. labor history. (AM)

Recounts how to use discussion groups to reinforce and expand upon lectures and how to link successive weekly topics by using thematic and role playing methods and a single theme. Theme used is perceptions of place and their ramifications in a decision making process. Journal availability: see SO 507 262. (Author/CK)

Techniques for initiating good discussion in class include: examining goals and values, noting concrete images in text, generating questions among students, finding illustrative quotations, small group discussion, generating truth statements, forced debates, role playing, non-structured scene-setting, and eliciting opinoins of the text. (MSE)

Having students read, view, or create imaginative works will not impart to them moral didactic or morally important knowledge, but such practices can contribute to moral education by extending children's visions of moral possibilities and perhaps by increasing their skills in understanding people. (SJL)

Measured the attitudes toward the elderly and toward mental illness and ways of evoking attitude change using persuasive communication and autotelic inquiry treatment. No differences were found in attitudes toward old people but a difference in opinions about mental illness was found in autotelic-inquiry subjects. (Author)

Introduces a reality-based perspective on divorce groups so elementary school counselors may have an advanced cognitive set for and realistic expectation of the counseling group. Drawing, role playing and rehearsal, and books and puppets can be used to help the child accept divorce through peer support. (Author/JAC)

Describes a project preparing students to make political advertisements for television, including details for necessary hardware, script preparation, formatting, time management, and coordination with the television studio. Includes description of each role and broadcasting jargon. (Author/CK)

This secondary level learning exercise contains two role-playing activities and a textbook analysis test which probe contemporary images and historical realities about the politics and economics of school support. Students are involved in data collection and analysis, group communication, inference making, and value clarification. (KC)

The author states that far too little has been done about teaching handicapped adolescents the specifics of coping with stressful situations. Training should begin in childhood and be designed to be effective in a variety of settings and with many different types of people. (Author/KC)

Described is a simulation game concerned with the expeditious location of a sewage plant in a hypothetical urban area. Over 15 college or high school students can play the game, which involves government bargaining, citizen reaction, and side payments. (Author/AV)

Effective teaching strategies are outlined for helping the shy and withdrawn child to become an involved participant in the classroom. (JD)

Within the last few years a "new wave" of therapeutic techniques for teaching the mentally retarded has emerged in this country. Describes how the behavior of two demonstration groups of mentally retarded children utilize the accomodations of role playing and behavior modification to develop social skills. (Author/RK)

Conversation is not easy to teach because of the absence of natural stimuli. Role-playing is seen as the best way to practice natural and interesting conversation. (IFS/WGA)

Uses role-playing, dramatic monologues, and "tableaux vivant" to interpret Robert Browning's poem "My Last Duchess" in an introductory literature class at Westchester Community College. Notes that performative strategies illustrate connections in the poem that often remain unnoticed on a first reading. (PA)