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Peer reviewedBrannon, Frank – Science and Children, 1997
Presents activities for K-4 students that explore two areas of body mechanics--bones and joints--with an emphasis on the human hand. Relates knowledge of how the body functions to comparable examples in robotics such as the "hand" of the Canadarm of the space shuttle. Activities are geared for students in pairs. (AIM)
Descriptors: Anatomy, Cooperative Learning, Elementary Education, Experiential Learning
Peer reviewedKrazon, Katarzyna – Early Child Development and Care, 2003
Presents music-enhanced kinesthetic visualization therapeutic methods to assist young children in coping with problems and to enhance their development. Highlights results from 9 therapy sessions over 2 months with 6 third graders that illustrate positive growth in emotional, social, and motor development. Shows how organized intersemiotic motoric…
Descriptors: Child Development, Early Experience, Elementary School Students, Emotional Adjustment
Peer reviewedLaSasso, Carol – Perspectives in Education and Deafness, 1996
Describes how phonics can help deaf students in both speech production and reading despite their inability to obtain auditory feedback. Successful deaf graduate students are reported to use tactile-kinesthetic feedback in interpreting phonetic information. Teachers of younger students are urged to emphasize speech instruction (even if speech is…
Descriptors: Deafness, Elementary Secondary Education, Higher Education, Kinesthetic Perception
Gauthier, Delores R. – Teaching Music, 2002
Focuses on the importance of posture in music-making. Provides information on the importance of posture and the different types of posture stances to help students work toward better posture. Includes information on using kinesthetic experiences to help students improve their posture. (CMK)
Descriptors: Bands (Music), Educational Strategies, Elementary Secondary Education, Human Posture
Peer reviewedGreenwald, Nina L. – Gifted Child Today Magazine, 1998
Presents a lesson plan that uses a constructivist approach for developing and challenging students' different thinking strengths. In the context of musical and bodily-kinesthetic thinking, elementary school students interpret the sounds and movements the dinosaurs made as they negotiated their primitive environments. (CR)
Descriptors: Body Language, Cognitive Development, Constructivism (Learning), Dinosaurs
Peer reviewedSillick, Audrey – NAMTA Journal, 1996
Explores kinesthetic and musical intelligences. Emphasizes the importance of understanding the physical reality of the body and sensory receptors as well as the dimensions of feeling and expression. Summarizes Tomatis's interpretation of the auditory and vestibular functions of the ear. Conveys the community and spiritual values of music, dance,…
Descriptors: Cognitive Style, Dance, Emotional Experience, Kinesthetic Perception
Peer reviewedReiff, Judith C. – Childhood Education, 1996
Suggests that teachers can share information with parents about multiple intelligences and encourage parents to provide activities to nurture their child's own intelligences. Provides teachers with instructional strategies and parents with activities related to linguistic, logical-mathematical, spatial, musical, bodily-kinesthetic, interpersonal,…
Descriptors: Family School Relationship, Interpersonal Competence, Kinesthetic Perception, Language Skills
Peer reviewedMcCaughtry, Nate; Rovegno, Inez – Studies in Philosophy and Education, 2001
Asserts that meaning is inherent in physical activity and does not have to be constructed. Suggests that some students will not easily discover the meaning inherent, but should be challenged to connect meaning to broader life experiences. (Contains 24 references.) (NB)
Descriptors: Athletics, Body Image, Cultural Context, Cultural Relevance
Scott, Alexander; Antonishen, Kevin; Johnston, Chris; Pearce, Terri; Ryan, Michael; Sheel, A. William; McKenzie, Don C. – Measurement in Physical Education and Exercise Science, 2006
The study was designed to determine the effect of upright-posture (UP) versus semirecumbent (SR) cycling on commonly used measures of maximal and submaximal exercise capacity. Nine healthy, untrained men (M age = 27 years, SD = 4.8 years) underwent steady-state submaximal aerobic testing followed by a ramped test to determine maximal oxygen…
Descriptors: Exercise, Testing, Exercise Physiology, Human Posture
Segel, Ruth C. – Academic Therapy, 1974
Descriptors: Cognitive Development, Exceptional Child Education, Kinesthetic Methods, Kinesthetic Perception
Ashby, Alan A. – 1982
Age-related characteristics of children's short-term retention of kinesthetic movement information were examined in this study. Three age levels (6-, 8-, and 10-year old children) were tested for recall of preselected location movements on a linear slide apparatus. Immediate and delayed recall were used in 16 trials. The results indicate that…
Descriptors: Age Differences, Children, Cues, Elementary Education
Peer reviewedVernon, McCay; Coley, Joan D. – Reading Teacher, 1978
Manual communication methods used by the deaf may be helpful techniques for remedial instruction with hearing children. (MKM)
Descriptors: Deafness, Elementary Education, Finger Spelling, Handicapped Children
Peer reviewedWagener, Elaine H. – Language Arts, 1976
The limitation of stimuli which occurs in visually impaired children can be partially ameliorated by strengthening other sense modalities. (JH)
Descriptors: Bibliographies, Elementary Education, Kinesthetic Perception, Learning Modalities
Sprenger, Marilee – 2003
This book reviews how the brain processes, stores, and retains information and how teachers can guide students in accessing this information by utilizing their individual learning styles and strengths. It offers practical strategies and applications for accessing these sensory pathways, connecting learned content to the real world. Seven chapters…
Descriptors: Aural Learning, Brain, Cognitive Style, Diversity (Student)
Peer reviewedDimondstein, Geraldine – Journal of Physical Education, Recreation & Dance, 1983
Dance educators must define the concepts that distinguish dance from other disciplines and other forms of movement. Dance makes use of space, time, and force to become a distinctive art form involving kinesthetic perception and emotional self-expression, as well as motor skill development. (PP)
Descriptors: Art Expression, Concept Formation, Dance, Dance Education

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