Film historians have tended to overlook the industrial film even though it has been widely used as a sales tool since early in this century. The Caterpillar Tractor Company was one of the first to adopt this medium as a means of demonstrating what its machines could do in a variety of situations. While other types of films have been made by…

This journal offers a selection from papers presented at two scholarly meetings on research on film conducted at the Center for Twentieth Century Studies. Separate papers deal with the following topics: film and ideology; the filmic apparatus; the inadequacies of current conceptions of film historiography; nonlinguistic extensions of film and…

This manual is a cross-referenced directory to film industry personnel and services available in the State of Texas. The Who's Who section contains an alphabetical listing of companies and individuals in the state engaged in some aspect of motion picture or video production. These listings include brief summaries of each company and individuals'…

In order to test the hypothesis that Soviet revolutionary films influenced American film makers' attitudes concerning the importance of form and structure through editing, this dissertation explores the areas of affinity and contrast between the two national cinemas during the period when Soviet silent films were originally released in the United…

Brief descriptions of film production activity in 44 countries and reviews of important films from these countries are presented, along with lists of films recently in production. A paragraph-long description of film festivals slated for 1972 is given. Sound track music available on records, 16mm films available in the United Kingdom and the…

Film instruction has been distinctly marked by three major developments that have evolved over the past decade. First of all, a film genre has emerged which is relatively free of the old pedagogical emphasis. The attributes of film form and content that were once rejected by classroom teachers now have become the legitimate raw material for film…

Defines the term "independent" and discusses factors affecting independent productions, such as finance, production, distribution, and audiences. (PD)

Discusses how the grip of the Soviet Union's past--from Stalinist mythology to ideological cliche--is being exposed and undermined whereas a sense of individual efficacy, necessary for the present, has yet to emerge from the portrayals in Soviet films. (PRA)

Article focused on the cinematic past and its concern for film-makers and film-goers, who use it to bear on the strategies of the present. (Author/RK)

Discussed the development of film in Italy after the World War Two and evaluated some films of that period including Bicycle Thieves. In addition, credits for Bicycle Thieves and a sequence outline were added with study questions provided for further discussion. (RK)

Designed to help the film student with the complexities of 16mm film cutting, this handbook catalogs the mechanical procedures of both picture and sound cutting and supplies step-by-step explanations of these procedures. Because the handbook was organized so that it could be used while working at the cutting bench, common cutting problems and…

Examines the possibility of an alternative progressive realism in film in relation to a theory of realism and in terms of two criticisms. Outlines the consequences for film education, based on both the author's definition of "reading" a film and a proposal for the centrality of realism in film studies. (JMF)