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Showing 46 to 60 of 265 results Save | Export
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Andre´, Joa~o Paulo – Journal of Chemical Education, 2015
Artistic creation has always reflected the spirit of the moment, and opera has not been an exception. There are several examples of operas that appeared at key moments of the development of science, portraying them. Additionally, there are also operas that emerged after scientific events or the lifetime of the scientists by whom they were…
Descriptors: Science Instruction, Secondary School Science, High Schools, College Science
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Leung, Bo-Wah – Music Education Research, 2015
The Cantonese opera was traditionally transmitted by an apprenticeship approach, which has faded out in the mid-twentieth century. Instead, the conservatory approach adapted from the West has replaced the major mode of nurturing professional artists in China and Hong Kong. This study aims to investigate and examine the current practice of the…
Descriptors: Opera, Apprenticeships, Music Education, Musicians
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Kelly, Jem – Research in Drama Education, 2016
This paper reports on an intermedial pedagogy informed by Jacques Rancière's "Ignorant Schoolmaster" (1991). Two case studies interrogate the creative application of notions found in intermedial practice, hypersurface and palimpsest, discussing student agency as rigorous, innovative and research-led. The emerging status of pedagogy in…
Descriptors: Remedial Instruction, Memory, Recall (Psychology), Recognition (Psychology)
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O'Bryan, Jessica – Research Studies in Music Education, 2015
Preparation for the operatic stage means that for some students their voice will undergo significant transformation during training. For most operatic singers, voice type will determine future roles, the music they perform and potential career trajectory. Voice type becomes a facet of identity and position within the operatic world. This article…
Descriptors: Foreign Countries, Music, Music Education, Opera
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Dobbs, Teryl L. – Philosophy of Music Education Review, 2013
In this essay I explore problems of pedagogy related to Hans Krása's "Brundibár" by drawing heavily upon the thinking of two divergent theoretical perspectives regarding Holocaust testimony as advanced by Giorgio Agamben (2002) and Shoshana Felman (1992). I theorize that lodged within a space of difficult knowledge coalesced through…
Descriptors: Opera, Music Education, Problems, Theories
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Thomson, Paula; Jaque, S. Victoria – Roeper Review, 2016
Overexcitability is a component in Dabrowski's theory of positive disintegration. This cross-sectional study investigated the psychological profile, including the five overexcitability dimensions (psychomotor, sensual, imaginational, intellectual, emotional), of three talented groups of dancers (n = 84), opera singers (n = 62), and athletes…
Descriptors: Psychological Patterns, Psychopathology, Imagination, Dance
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Atkinson, Paul – Ethnography and Education, 2013
The paper presents a microethnographic examination of an operatic masterclass, based on a transcribed video recording of just one such class. It is a companion piece to a more generalised ethnographic account of such masterclasses as pedagogic events. The detailed analysis demonstrates the close relationship between spoken and unspoken actions in…
Descriptors: Singing, Opera, Music Education, Video Technology
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Simpson, Patricia Anne – International Journal of Music Education, 2013
The myth of Orpheus is intricately implicated in the origin of song. For centuries, myth and music have cooperated in a variety of genres, foremost among them in opera. The myth, open to reinterpretation across linguistic, national, and temporal boundaries, served as a starting point for an extracurricular opera project in the metropolitan region…
Descriptors: Foreign Countries, Socioeconomic Influences, Immigrants, Ethnicity
Grayson, Craig M. – ProQuest LLC, 2012
The purpose of this dissertation is twofold-to investigate, in brief, the available guides to Russian lyric diction and to present my own comprehensive guide, which gives singers the tools to prepare the pronunciation of Russian vocal pieces independently. The survey examines four guides to Russian lyric diction found in popular anthologies or…
Descriptors: Music, Music Education, Annotated Bibliographies, Singing
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Larsen, Kristin M. – Children's Literature in Education, 2012
In this article, the author explores the richly layered double text of Kushner and Sendak's picturebook, "Brundibar" (2003)--the historical context of "Brundibar" as a Holocaust-era children's operetta by Hans Krasa and Adolf Hoffmeister, and the present day manifestation of "Brundibar" as a children's picturebook. In…
Descriptors: Childrens Literature, Foreign Countries, Semiotics, Picture Books
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Haseman, B.; Baldwin, A.; Linthwaite, H. – Research in Drama Education, 2014
The Life Drama project is a drama-based sexual health promotion project, developed by a cross-cultural research team in Papua New Guinea (PNG) over the past four years. Recognising the limitations of established theatre-in-education and theatre-for-development approaches when working across cultures, the research team explored ways of tapping into…
Descriptors: Folk Culture, Opera, Foreign Countries, Social Change
Sara Harris Baker – ProQuest LLC, 2011
This study was designed to compare knowledge about and attitude toward opera in three groups of fifth-graders with various levels of involvement with an in-school opera. One group watched the live performance, a second group watched the performance preceded by three pre-performance lessons that encompassed common opera vocabulary and voice types,…
Descriptors: Grade 5, Opera, Learner Engagement, Student Attitudes
Edsall Giglio, Lisa – ProQuest LLC, 2012
During the 2011-12 school year, a fifth grade class in a diverse San Francisco public elementary school collaborated with the Arts Resources In Action (ARIA) program of the San Francisco Opera's Education Department to create a teacher-guided opera. The students wrote the story, music and lyrics as well as designed and built the sets, props and…
Descriptors: Elementary School Students, Grade 5, Student Attitudes, Theater Arts
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Ostergaard, Edvin – Journal of Aesthetic Education, 2011
Two of the most influential works of the Western nineteenth century were completed in 1859: Charles Darwin's "The Origin of Species" and Richard Wagner's opera "Tristan and Isolde." Although created within very different cultural traditions, these works show some striking similarities: both brought about a critical, long-lasting debate and caused…
Descriptors: Evolution, Biology, Books, Opera
Achkasova, Natalya – Online Submission, 2013
This article invites teachers to consider how to strengthen links between English, music, arts, and acting, maximizing the potential for children to become successful language learners at a young age. It will show how children's opera can act as a catalyst for learning and using the language. The findings demonstrate that teaching English with a…
Descriptors: Teaching Methods, English Instruction, Communicative Competence (Languages), Young Children
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