Describes a technique whereby students are taught to use information they have gained from secondary sources to write critical introductions to novels they have read. (FL)

Examines the appeal of oral histories--their intimacy, authenticity, seeming reliability, and panoramic as well as sharply focused presentations of human life--and the possibilities they offer as subject matter in English classrooms. Provides lists of oral histories and "how-to" books on oral history. (RL)

Shows how Muir's writing succeeded in transforming his readers' imaginative experience of scenic grandeur into an obligation to support preservationist legislation. Demonstrates how he influenced the establishment of Yosemite National Park and the preservation of wilderness reserves. (PD)

Offers a set of principles for constructing questions that compel rereading and proposes a set of principles by which literature teachers can construct significant questions--ones which compel rereading and textual constraint while encouraging independent interpretation, response, and hypothesizing. Provides examples illustrating the applications…

Suggests ways students can develop their cognitive and affective responses to literature. Shows how English teachers can use the concepts of identification, dissociation, and evaluation to help students dramatize, talk about, and write about short stories. (RL)

After different conceptualizations of behavior in terms of personal and situational variables have been outlined, Endler's arguments on situational specificity are discussed and his data found not to warrant his conclusions. It is argued that there is no antagonism between interactionism and conditioned situationism or personologism. (Author/SJL)

Using Bob Dylan's three somewhat different versions of "It Ain't Me, Babe," the author investigates the variables of Dylan's performances and how they alter the meanings of his songs, and suggests that the more we know about popular song the more we will understand the songs we subsequently encounter. (KC)

Argues that the nondiscursiveness thesis introduces more breadth into argumentation than do any of the present alternative points of view. Maintains that all communication modalites are called into play by ordinary arguers and that the meanings of statements oftentimes cannot be understood unless attributions are made. (PD)

Discusses the use of visual/aural stimuli in presenting poetry and literature. A step-by-step script for a slide/tape presentation is included. (HTH)

Cites some of the attempts to link theater with communication within the field of speech communication and describes the ways the two areas have shifted synchronously during the 1950s and 1960s. Suggests explanations for the parallel changes and new directions for further inquiry. (JMF)

Discusses the limited value of research based on the uses and gratifications approach, particularly in the area of political communication. The limitations arise from the approach's commitment to the variable analytic method. (JMF)

Discusses some of the novels of Sir Henry Rider Haggard (1856-1925), pointing out that their "simplicity and directness, mythic grandeur, and lack of sentimentality" could make them popular classics for today's children. Urges teachers to introduce Haggard's books to their students. (GT)

Presents the text of an interview with Chicano leader Bert Corona regarding his rhetorical style and the role of oratory in the Chicano movement and Chicano tradition. (JMF)

An examination of book reviews of Frederic Hudson's "Journalism History in the United States from 1690 to 1872" that appeared following the book's publication in 1873 reveal sharp negative criticisms of the book that raise questions about Hudson's accuracy. (GT)

Tracking down the similarities between two beloved stories (the Wizard of Oz and Star Wars) led to a critical analysis of other tales. Through this process, students discovered why some books are classics, became more discriminating readers, and applied what they learned to their own creative writing. (Author/KC)