Examines the phenomenon of semantic change with regard to color categories in closely related Mayan languages (Tzetal and Tzotzil) associated with radically different social milieux. It is argued that, although a model of individual cognition explains how color categories change at the basic level, a social model accounts for differences between…

Describes how the University of New Mexico library collaborates with an Albuquerque bookstore, which supplies the library with New Mexico literature. The difficulties of collecting New Mexicana, the development of a relationship with a local bookstore, and some guidelines for establishing similar relationships are discussed. (KRN)

Presents a study designed to investigate the interaction between the cognitive style of field dependence/field independence and ability to recognize ground color change of a visual. A significant difference in recognition scores based on ground color change collapsing across cognitive style is reported. Implications for instructional design are…

Discusses the basic technical concepts of using graphics in World Wide Web pages, including: color depth and dithering, dots-per-inch, image size, file types, Graphics Interchange Formats (GIFs), Joint Photographic Experts Group (JPEG), format, and software recommendations. (AEF)

Discusses the nature of light and its relationship to color, particularly two models of color production: the additive and subtractive models. Explains the importance of these models for understanding how computers and printers generate colors. Argues that it is important to understand these processes given the prevalence of computers in art. (DSK)

Two experiments examined infants' reliance on object shape versus color for word generalization to animate and inanimate objects. Infants were taught labels for either novel vehicles or novel animals using preferential-looking procedure or an interactive procedure. Results of both experiments indicated that infants limited their word…

A color microfiche containing ocular tissue section images was developed and introduced into an ocular history and embryology course to enhance student access to such images. Students found that the materials enhanced their ability to learn. Faculty found that the materials allowed students to prepare in advance for the laboratory, freeing class…

Focuses on an activity in which the students in a beginning drawing class used middle-value brown paper and earthen shades of conte to draw pictures of bones in a desert environment. Discusses how the assignment teaches appreciation of the colors, sounds, and shapes of the desert. (CMK)

The purpose of this meta-analytic assessment was to examine the instructional effect of visualization, color versus black and white, and method of presentation (self-paced versus externally paced) in terms of facilitating high school and college student achievement on tests measuring different educational objectives. (Author/LRW)

Reviews recent brain research in education. Provides five implications for teaching in art: (1) use emotion; (2) use different sense; (3) promote student self-direction; (4) enable social learning; and (5) encourage pattern finding. Describes two sample art units demonstrating how the five implications and art instruction can be integrated. (CMK)

Describes an art activity in which students create patterned booklets. Explains that the activity provides students with an opportunity to study pattern, rhythm, color, and shape while participating in hands-on learning. Provides a list of vocabulary and the exact steps of constructing the booklet. (CMK)

Discusses a painting unit for kindergarten that focuses on color mixing and brush stroke techniques. Students paint a picture of their favorite animal. Describes the unit, listing the materials needed and including sample paintings. (CMK)

Discusses Vincent Van Gogh's painting "Starry Night" and describes a lesson where fifth- and sixth-grade students created their own version of the artwork. Explains that the students utilized four colors of Permoplast clay, using their hands and fingers as brushes and blending tools and the clay as paint. (CMK)

Describes the process for creating a baker's-dough mural that would become a permanent part of the community and relates a visit made to the Sacramento (California) Boys & Girls Club by General Colin Powell. Discusses Powell's part in creating the mural. Includes the steps for how to make a Baker's-dough mural. (CMK)

Describes an art activity where kindergarten students learned about different art styles and approaches and then created their own self-portraits. Explains that the lesson could work with other elementary grades. Lists different visuals that were used as inspiration for the lesson, the materials, and learning objectives. (CMK)