Topics of the three essays in this bulletin--which originally appeared in the February, 1963, issue of "College English" and the March and April, 1963, issues of the "English Journal"--are (1) how the materials of language and poetry and the perceptions of individual minds are employed in examining a poem; (2) procedures for reading and…

The use of films in the classroom can help motivate students not only to write but also to consciously employ literary techniques. A film offers visual and audio parallels for conventions traditionally associated with writing, such as metaphor, plot, theme, point-of-view, dialect, satire, and imagery. Since these film conventions can be directly…

Oral performance of literature can be compared with film viewing, in that both are strongly based on suggestion, which forces the spectator to participate actively in the creation of images. Film is actually a series of still pictures, but persistence of vision produces the idea of motion in the mind. Likewise, literature in performance involves…

A model is described for teaching German lyric poetry based on landscape and the analysis of oppositions, such as closed and open environments. The method works well with German Expressionism and is suited to instruction by the Socratic method. Use of the model with three poems is illustrated. (SW)

Discusses the psychological implications of metaphorical language in second language learning and teaching, and their effect on students' classroom behavior and instructors' self-perceptions. These figures of speech, categorized as "human" (military, medical), and "non-human" (culinary, gardening) posit dyadic, negative relationships. Teachers…

Reports three experiments which examined preschool, first-grade, and third-grade children's understanding of metaphorical language. Subjects acted out short stories which ended in metaphorical sentences by using toys. Predictability of the story endings and the complexity of the metaphorical sentences are found to affect metaphor comprehension.…

Serving as an ideal entry point for children to self-expression and creativity, these participative poems by a storyteller blend the bounce and rhythm of Caribbean memory with universal aspects of childhood experience. The poems take the oral and musical folklore of the Caribbean and link it to the verse of the traditional English nursery rhyme to…

Creative writing is not a magical art from magic wands, but an everyday practice in the hands of steady writers. Creative writing calls, above all, for self-discipline. Along with intellectual and emotional stamina, a poetic writer needs sensory awareness. The writer also forms a mysterious sixth sense--intuition. In search of the good words, the…

Literature Circles are a great way to supplement a reading program in a literature-based classroom. In this lesson plan, students create and answer comprehension questions, discover new vocabulary, and examine elements of literature. The students feel ownership in Literature Circles, because they are responsible for the meeting. Any genre of…

Contends that the language of the suburbia--the language of the British middle class--is a dead language, because it has so few sources of contemporary enrichment and vitality, and because it is derivative and unoriginal and relies heavily on an imagery that stems from obsolete popular speech. (RJ)

Discusses a project which used menus from a local restaurant for teaching vocabulary and critical reading skills with fourth grade pupils. Both the students and the teacher judged the project successful in terms of pupils' increased interest and knowledge. (VJ)

Three essays discuss: (1) the use of word games in the language classroom, (2) the use of humor in correcting students' errors, and (3) using comic strips in the French language classroom. (AM)

Most learning centers for science are custom-made by enthusiastic teachers eager to experiment with a new way to make science come alive for students. Suggests a way to plan a science center for the classroom. (Author/RK)