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Halverson, Erica – Wisconsin Center for Education Research (NJ1), 2010
Educators must consider how learning environments can structure experiences to produce desired learning outcomes. In this paper, the author describes one type of learning environment where youth have the opportunity to construct adaptive, emergent identities--a "dramaturgical" process that structures the telling, adapting, and…
Descriptors: Educational Environment, Adolescent Development, Personal Narratives, Theater Arts
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Dennis, Rea – Research in Drama Education, 2008
This essay seeks to unpack some of the issues concerning representation when performing refugee stories using playback theatre. It questions the reductive influence of narrative structure and, using the framework of "artist as ethnographer," it argues that strong aesthetic production is required to overcome the dampening effect of empathy when…
Descriptors: Personal Narratives, Empathy, Refugees, Aesthetic Education
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Santoro, Patrick; Boylorn, Robin M. – Qualitative Inquiry, 2008
As co-chairs of a tribute panel for their academic mentors, Carolyn Ellis and Art Bochner, the authors knew what the traditional responsibilities would require, but as a performer and a poet, they were inspired to do something more creative. Something poetic. Something performative. Something different. In this article, the authors present a…
Descriptors: Poetry, Mentors, Responsibility, Creativity
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Pagona, Bournelli – Research in Dance Education, 2008
The aim of this study is to present Rallou Manou's work, as well as to demonstrate her contribution to the development and emergence of modern dance in Greece. The data used were mostly collected from Rallou Manou's personal "Archive," but also from published reviews, interviews from her students and the personal experience of the…
Descriptors: Dance, Dance Education, Foreign Countries, Theater Arts
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Berkeley, Anne – Journal of Aesthetic Education, 2008
The history of theatre study in American undergraduate education is one of prodigious quantitative success. Though it took two centuries to secure the right to perform plays at American colleges, it took only eighty years for the curriculum to grow from a few isolated courses at the turn of the twentieth century to well over 14,000 in the 1970s.…
Descriptors: Undergraduate Study, Theater Arts, Art Education, Educational History
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Simon, Nicole S.; Grosso, Andrew – Penn GSE Perspectives on Urban Education, 2009
Over the last five years, the Urban Assembly School for Law and Justice (SLJ), a new, small public high school in Brooklyn, and The Essentials, a professional theater company, have joined forces to offer a low-budget, high-quality, in-house afterschool theater program for SLJ students. Both SLJ and The Essentials were in nascent stages when the…
Descriptors: Models, Partnerships in Education, After School Programs, Theater Arts
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Honisch, Stefan Sunandan – International Journal of Inclusive Education, 2009
This paper explores the intersection of Western art music and disability in relation to musical performance. Building on Joseph Straus's essay titled "Normalizing the abnormal: disability in music and music theory", this paper explores three main topics: the theoretical distinction in Disability Studies between impairment and disability; the…
Descriptors: Music, Musicians, Music Theory, Art Expression
Hewitt, Scott – Teaching Tolerance, 2009
What do actors have in common with bigots, bullies and their victims? They play the same script over and over. This article discusses how social justice theater can teach students to take the story into their own hands. It describes Forum Theater, a dramatic method that sets up tightly scripted dramas of power and difference, then encourages the…
Descriptors: Social Justice, Bullying, Theater Arts, Drama
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Fisher, Maisha T.; Purcell, Susie Spear; May, Rachel – English Education, 2009
This article examines relationships among process, product, and playmaking in a southeastern playwriting and performance program for teen girls, Playmaking for Girls (PFG). The authors have chosen to focus on tensions between process and product. Such tensions are present in the challenges teachers experience when privileging student-centered…
Descriptors: Urban Schools, Playwriting, Creative Writing, Program Effectiveness
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Weinstock, Jeff – T.H.E. Journal, 2009
Who would deny the sweet irony of a 70-year-old man stepping into his very own classroom of the future? James Richmond certainly would, if it would mean fast-forwarding the premiere of the digital, domed theater his district has in the works, which has been pushed back to 2013 due to funding snags. Richmond, the superintendent of Charles County…
Descriptors: Teacher Effectiveness, Theaters, Technology Integration, Educational Technology
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Cho, Jeasik; Trent, Allen – Qualitative Inquiry, 2009
This article proposes working criteria for guiding and judging the validity of performance-related qualitative work based on Conquergood's dialogical performance and Madison's performance of possibilities. A series of criteria is proposed considering three performance-based stages that pursue new meanings for performance in/as qualitative inquiry:…
Descriptors: Social Justice, Validity, Evaluation, Criteria
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Chinyowa, Kennedy C. – Research in Drama Education, 2009
The prevailing tendency in applied drama and theatre research and practice in African contexts has been for both critics and practitioners to apply the Freirian educational paradigm of "codification" and "decodification" in the interpretation of their work. Guarav Desai asserts that most of the theoretical premises of applied…
Descriptors: Drama, Codification, Foreign Countries, Standards
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Balfour, Michael – Research in Drama Education, 2009
The paper provides a review of some of the terminologies and definitions of applied theatre, critiques the "transformative principle" argued for by some applied researchers, and extends this to a discussion on the complex relationship between donor agendas and the politics of intention that contribute to the shaping of applied discourse…
Descriptors: Theater Arts, Intention, Politics of Education, Definitions
McCoy, Leah P., Ed. – Online Submission, 2013
This document presents the proceedings of the 18th Annual Research Forum held June 26, 2013, at Wake Forest University in Winston-Salem, North Carolina. Included are the following 13 action research papers: (1) Developing Oral Language Ability in the Secondary Spanish Classroom Using the Interpersonal and Presentational Modes of Communication…
Descriptors: Problem Based Learning, Student Attitudes, Literacy, Teaching Methods
Barrell, M. Kay – 1991
This handbook is designed for specific use by performing arts presenters and touring companies. These companies pose an immense range of production requirements and challenges to a presenter. The book stresses the basics of technical production with an emphasis on presenting dance. Dance has more inherent pitfalls in its production requirements,…
Descriptors: Dance, Drama, Guidelines, Guides
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