This document presents a rationale for using reader's theatre in the classroom. It briefly discusses some of the conventions that distinguish reader's theatre from traditional theatrical productions, including direction of voice and action to the audience, and the use of scripts. The major portion of the paper offers seven exercises on the…

The specific nature of the playhouse conventions which Shakespeare adopted in adjusting his craft to the physical aspects of the theater is explored in this handbook. The book is intended to be used as a supplementary manual in the study of Shakespeare's plays as great literary drama. Topics discussed are entrance announcements, stage business…

The twelve essays (each by a different author) in this volume cover drama in a liberal education, comment on the tragic hero, remarks on "Hamlet" and "Hedda Gabler," notes on music and drama, comment on didactic drama, an examination of "Andre," studies of the Haymarket Theatre, London productions of American plays,…

Discovers the lack of attention given to plays for young adults in most published booklists, and follows with a list of recent works for junior and senior high readers. (CRH)

Argues that in Poland, the Soviet Union, and in much of eastern Europe, creators can utilize strategies and take advantage of various policies that make theatre a relatively free medium for political expression. And the public, starved for such expression, naturally turns to the theatre, frequently making it an important political institution.…

Causes of project failure and common programing and design problems are discussed, including vague expectations, lack of architectural program detail, unwillingness to understand compromises, misunderstanding economics of audience size, site impact on budget, making a smaller facility less versatile, lobby expenses, late value engineering,…

Presents a rehearsal plan that not only keeps everyone on task but also produces stronger scenes. Suggests techniques such as: reading to the wall (suggests having no audience), sit in a circle (recite lines simultaneously), present a teaser, and blocking (find lines where the actors should move). Outlines a rehearsal worksheet. (SC)

The purpose of this study was to take a look at the academic achievement of students who are involved in co-curricular when statistically compared to the performance of their peers who are not involved in co-curricular activities. The scope of the investigation only includes high school students and the relationship between their involvement in…

Despite the amount of attention paid Adolphe Appia and Edward Gordon Craig, a misconception persists with regard to their ideas concerning the actor; namely, that Appia had the actor dominate all the elements of staging, and that Craig considered the actor less essential. However, to both, the actor was both essential and nonessential to the…

Reports on the theatre festival at the 1984 World's Fair that featured professional companies from eight nations performing before an audience of over 46,000 children and a symposium of 300 international theatre educators and leaders. (PD)

Traces standards and goals for children's theatre in America, since its founding in 1903. Outlines positive and negative aspects of children's theatre. (PD)

Examines the philosophy and methods of Chekhov (1891-1955), director, teacher, and actor, whose style was devoted to awakening and inspiring the creative imagination of the actor and ultimately the audience. (PD)

Article lists several theater games that help to develop the imagination. (GB)