Part of the New York City Board of Education's Early Stages program, and intended for elementary and secondary school teachers who wish to include a unit on theater in their classes, this guide offers suggestions for lessons and activities to accompany viewing a performance of "Wind in the Willows" at the Nederlander Theater. Part one of…

One of the rhetorical dimensions on which theatre exists is the rhetoric of production. This implies that the production, through examples, takes and urges an attitude toward the text. This argument provides a foundation for both the nature and the implications of interpreters theatre productions that advocate social issues. Theatrical…

As part of the second phase of a two-phase study of the condition and needs of the live professional theatre in America since the mid-1960's, this volume provides four round table discussions involving 22 theatre persons from around the country who were drawn together to share their perceptions of the needs of professional theatre. The first…

This annotated library guide to theater materials is divided into several separate sections. The first part, dealing with the subject as a whole, includes bibliographies; periodicals; indexes and abstracts; encyclopedias and dictionaries; yearbooks; directories; histories, biographies, and reviews; and dramatic literature. The second part lists…

The Sunseed Repertory Collective, a touring theatre company, was formed to deal seriously with contemporary--often controversial--social and political issues. The group uses unconventional production techniques, plays in a variety of settings to a wide range of audiences, charges no admission (relying on donations after performances), and prefers…

Defining readers theatre as a technique for enhancing students' appreciation of literature and spoken language by dramatizing literary works in classroom settings, this booklet explains the basic principles of that form and offers exercises for applying those principles. The booklet notes that while the exercises are intended primarily for…

The field of oral interpretation has been influenced by both the analytical approach to literature study, with significant emphasis on understanding the literary text, and the interpersonal approach. While oral reading may utilize various performance arts or media such as dance, music, or film, the most popular movement currently is Readers…

The author states that because of recent interest in readers theatre, or concert readings, some objective methods of assessing audience response should be developed. In the first section of the paper, she provides a rationale for a critical suggestions form. The author's guidelines for an evaluation form include the use of expert judges, an…

This book presents a history of American drama and theatre from 1665 to the present. The book is primarily intended for the general reader and beginning student. The author combines the history of both drama and theatre, arguing that since they are complementary activities it is artificial to separate them. While the basic organization of the text…

Expanded by more than 40% over previous editions, this directory provides accurate contact information for practitioners and teachers affiliated with organizations with proven records of production, publication or promotion of or service to the national theatre community. The first section of the directory provides an alphabetical listing of over…

The artistic quality of creativity is not unique to artists but is carried out more skillfully by those who are artists than by those who are not. The artist participates with the rest of humanity in the essential part of creativity, communication, and develops a consonance--a resonance--between the work of art and the audience. The ritual of…