A teacher's atttitude toward his students may well influence their academic performance. (CK)

Describes the performances and performers in the international mime festival (Prague, Czechoslovakia, September 14-28, 1969). (SW)

Welcomes the presence of young playwrights who write for both adults and young people. Surveys briefly the new generation of talent and their plays for young audiences. (PD)

Provides an analysis of the 1982 Yugoslav Festival, a little-known event in the U.S. despite its 22 years of existence and international character. Describes the festival's significance: (1) inclusion of all the arts, both performing and visual; (2) participation by children as well as presentations by professional companies; and (3)…

This article presents an aesthetic analysis of magic, or conjuring, as a minor performing art. (SJL)

Presents a list of the various texts of Williams's plays which were published prior to 1977, including plays produced but not yet published. Notes the existence of unpublished versions of printed plays when such were used for a production. (JMF)

Argues that an audience is real rather than abstract and is necessary to the art of the theater. Demonstrates that audiences are too diverse to be described by an abstraction; audiences affect performances; and interchange occurs between actors and audiences. (See CS 705 537.) (PD)

Refutes several of Campbell's arguments that the audience is abstract rather than real. (JMF)

Defends the notion of the abstract audience. Questions Gillespie's concept of audience adaptation and the relationship among play, actor, and audience. (JMF)