Presents essays entitled "Safe Spaces,""This Is Our Part,""Theatre and Community,""Real People Performing in Real Time,""Express One's Heart,""The Lessons of Popular Culture,""The Context of a Play,""The Human Condition,""A Need for New Tools,""Defiantly…

Describes the experiences of Highland High School (Salt Lake City, Utah) as they produced Gilbert and Sullivan's "Pirates of Penzance." Discusses the theatre director's role, the music director's role, and production techniques. Concludes the experience was rewarding and enjoyable. (RS)

Notes that for prospective theater majors, the choice between pursuing the Bachelor of Fine Arts or the Bachelor of Arts degree is crucial to the student's chances of success in college. Discusses how the degrees differ and how to advise students. Includes some questions that prospective students should ask of theatre programs, and notes answers…

Describes the design features of five schools and a performing arts center that received recognition from the TASB/TASA School Architecture Awards. Each entry contains photos, project information, and floor plans. (GR)

Presents a sequence of exercises that requires students to think about telling their stories in terms of physicalization. Requires students to think about their blocking: their chosen movements on stage, the gestures they use to communicate their stories, and the business they must create to keep their stories believable and clear. (SC)

Describes students' experiences in examining different theatrical interpretations of the same work. Discusses how comparing different videos of the same script can demonstrate how there is often more than one way to solve a production problem. Considers teaching experiences involved in studying different theatrical presentations on video. (SC)

Describes how a student at Stagecoach (a private arts school), by securing the lead role in the film "Billy Elliot," encouraged other British boys to enroll in ballet and dance classes as well as Stagecoach Theatre Arts Schools. Present locations and international links for Stagecoach schools. Describes how the Stagecoach schools are run…

This paper is a wake-up call, reclaiming the place of the artistic and the aesthetic in theatre and drama education as its core experience. Drama and theatre educators need to remind themselves that although drama is now being viewed as a multileveled discourse, the true appeal and beauty of drama and theatre in education lies in its power to…

This paper seeks out the gaps between localised accounts of drama's efficacy in terms of producing transformations in students' behaviours and sense of identities and the theoretical accounts of such transformations offered in the textual discourses of the field of Drama in Education. Drawing on a range of post-colonial and emancipatory discourses…

This article describes the Spare Tyre Theatre Company, which has been creating theatre about gay issues including homophobia since the mid-nineties. They have worked with a variety of groups and over the years have aimed their projects at a younger and younger age group. Shows are accompanied by workshops run by the actors, and audiences are…

The essay deals with a Ugandan production of Brecht's Mother Courage and her Children and the issues raised when it travelled from Uganda to the United States, South Africa and back to Uganda. It explores the shift in perception and conception that happened/happens to both image and national identity when a production moved from one cultural…

"Children?s Voices" is a longitudinal research project to document and understand children's perceptions of live arts performance and the impact on their teachers and school communities. The research conducted in South Australia with 135 5?12-year-olds in four schools involves collaboration between the South Australian Department of…

Now entering its eighth year, TheatreLink, Manhattan Theater Club's Internet-based distance-learning project remains the most exciting and most challenging initiative. MTC's Education Program had existed for seven years (since 1989 to be exact) before it started TheatreLink. During that early period MTC created an array of programs, all of them…

This article presents an interview with Richard Hahlo, a Teaching Artist, trainer of Teaching Artists, actor, director and author who has worked around the globe in a variety of settings. In Germany, England, Japan, Poland, South Africa and the United States, he has brought his unique vision and skill to a wide range of students, teachers,…

The small string of words "in place of" is problematic because if it denotes "instead of" then it is questionable whether conflicts and wars can ever be abrogated so long as there are relations of power. However, but if the string denotes a location, i.e. a war zone, then it is not inconsequential that we justify our eagerness…