Paper originally presented as a talk during a panel discussion at the Annual Meeting of the Modern Language Association in New York, New York, December 29, 1970. (DS)

Two major observations made when surveying the measurement research in theater are that there has been insufficient methodological sophistication and that there has been insufficient conceptual clarity. Offers suggestions for the development of a working taxonomy of theatrical models. (RB)

Paper presented at a symposium held at Florida State University where various approaches to the use of drama in elementary and secondary schools were considered. (Editor/RY)

Cites examples from Austen, Melville, Bloy, Mallarme, and others to show how the animus against the stage and . . .against theatricality. . .reflects a continuing self-criticism of a permanent aspect of ourselves." (Author/SP)

Reports a study which is part of author's Ph.D. dissertation research, University of Denver. (Editor)

Argues that a recognition of the non-representational nature of the Corpus Christi cycles yields an awareness of the rich, multidimensional theatrical panorama" they created. (Author/RD)

Explains the interpretation and techniques the author used in directing "Prometheus Bound," emphasizing the use of the chorus to express emotion and tensions rather than to react to them; illustrated. (SW)