O Frabjous day! Callooh! Callay! Children improvise and Practice a variety of skills through story theater. (Editor)

Describes Elbridge T. Gerry's work from 1874 to about 1900 as founder and director of the New York Society for the Prevention of Cruelty to Children. Notes his place at the center of the controversy surrounding children on the professional stage in New York. (SR)

Presents a summary of a study that led to the identification and profile of eight model sites for development of theater education professionals. Includes these sites: Alliance Theatre (Atlanta); Lincoln Center Institute (New York City); Metro Theatre Company (St. Louis); and Wolf Trap Institute for Early Learning through the Arts (District of…

Considers how school agendas dominate virtually every aspect of professional theatre for young audiences (TYA) companies. Proves the historical heritages of this ideological dance. Explores the TYA field through perspectives of agency - the implications of the overt activities of the field in the signifying discourses of the field. (SG)

Describes a collaborative piece of theatre made by members of Headway, a charity working with head-injured people, and students and staff at Parkside Community College, an 11-16 school in Cambridge, England. Considers how the piece employs multimodal forms of expression and representational resources to challenge the invisibility of disability,…

A school district and community endeavor brought a fine arts facility to Byron Center, Michigan. The Van Singel Fine Arts Center includes gallery space as well as a performing arts theater. Private donations purchased pianos and the acoustical shell. Academic results in the classroom include increases in average ACT scores for 5 consecutive years.…

Shares five activities for use in the classroom that require active participation in reading by all students. Notes that in addition to ensuring time with text, the activities incorporate repeated reading, a practice that has been demonstrated to have a positive impact on students' reading ability. (SG)

Contends that parody is the direct result of an attempt to make room for oneself within an airtight, closed, or exclusive social, cultural, or theatrical construct. Provides examples from the author's work, such as an all-women production of "Hamlet" as well as a parody of "The Glass Menagerie." (PM)

Emphasizes the importance of proper planning during rehearsals by breaking it down into five separate paths: (1) learning lines (blocking), music, and choreography; (2) integrating musical numbers and dance sequences into acting scenes; (3) putting completed scenes into sequence; (4) integrating technical elements into completed parts of the show;…

Recounts how a delegation of 23 American theater educators took a two-week tour of Chinese theater companies and schools. Finds that although all theater takes years of training in China, there is little performance by youngsters; and that few professional companies have audience development activities or school performances. Describes traditional…

Endeavors to make students aware of similarities between today's movie culture and the theater of the 18th century; parallels between a traditional drama and a movie script; and Schiller's understanding of the sublime. (36 references) (Author/CK)

During the late 1970s and early 1980s, Teatro Runa traveled through Bolivia's rural villages and urban neighborhoods, implementing its "theater and education" project. The project aimed to train teachers to use theater, puppets, and music in the classroom; promote techniques that allow for different ways of learning; and restore…

Presents educational exhibition space/galleries considered outstanding in a competition, which judged the most outstanding learning environments at educational institutions nationwide. Jurors spent two days reviewing projects, highlighting concepts and ideas that made them exceptional. For each citation, the article offers information on the firm,…

Presents a historical, critical story of directing textbooks that aims to identify major shifts in directing pedagogy at mid-century in the United States, when the debates over the goals of theatre education became a catalyst for change. (SG)

Moves educators to reflect on their practice of inclusion/exclusion and what constitutes authentic participation in theatre education classrooms. Believes that teacher education should strive to reconceive, or eliminate, the concept of "youthland" (the separation of young people from adult society) by preparing teachers who will treat students as…