Discusses the use of theater and theatrical games as vehicles for teaching "creativity". (Author/RK)

Reports results of a 7-year study of drama/theater for children, conducted by Arizona State University, with 30 participants progressing from kindergarten to sixth grade. Finds, as children aged, a shift from story to character in postperformance discussion of theater events; a subtle increase of evaluative responses; and that girls were more…

Relates how a professor, for a Theater in Education project in British Columbia, produced and directed "No More Secrets," focusing on preventing child sexual abuse. States that grades five through eight were targeted to transfer learning about sexual abuse, and to tap the emotional experiences of the child to encourage disclosure. (PA)

Examines contexts out of which federal youth arts funding emerged, and discusses federal youth arts programs during the Nixon and Carter presidential administrations when youth arts were formalized through the Department of Education arts-in-education programs, and subsequently through programs with other federal agencies. Discusses contemporary…

Discusses the term Theatre for Development (TFD) by addressing the theatre practice developed by a group of women in Mundemba Sub-Division, Cameroon, which was presented in Anne Tanyi-Tang's article "Theatre for Change: An Analysis of Two Performances by Women in Mundemba Sub-Division" in an earlier issue of this journal. Considers…

Outlines the author's research and interest in the life and sexuality of Clyde Fitch, a successful yet historically obscure American playwright and sometime lover of Oscar Wilde. Explains that Fitch whets the author's hunger for more knowledge because of what he revealed about the reigning feminine ideal that he helped codify and that the author…

Proposes a "scene festival" to get students interested in doing Shakespeare. Suggests that middle school students are best suited for such a project. Discusses the different types of festivals, how to get ready, how to choose a play and scenes, how to prepare and cast scenes, how to proceed with staging, and how to create promptbooks.…

Considers how the Nigerian theatre scene has been dominated by the necessity of practicing theatre that is of direct relevance to its audience in terms of acceptability and functionality. Notes that the "Tandari" experiences were intended to contribute to the reformation process of young people in prison. Documents the process, findings…

Discusses how in the United Kingdom there is currently a lot of concern about "evidence-based practice" in education. Notes that educational researchers and teachers are being asked to demonstrate that certain educational experiences result in certain outcomes, preferably outcomes which match the given education aims, intentions and…

Presents multiple perspectives on an innovative teacher education partnership. Considers meaningful roles professional theatres can play in theatre teacher education programs. Discerns that teachers in the formative stages of their careers are in an ideal position to accept and practice the innovative approach to teaching and learning presented.…

Describes the development of an introductory theater course which encourages students to fashion well-informed views of plays. Notes that the skills fostered in this course could start students on the road to becoming active, critically informed practitioners in whatever role they chose to take on in production. Explains that the course…

Historicism critiques cultural history and cultural materialism as a methodology for literary analysis. Questions the finality of interpretation, how original values change, and whether dramatic history implies actual history. Using Shakespearean plays, analyzes the power and politics of a play in relation to its audience; posits that cultural…

Describes the Los Angeles Theatre Center's program, "Theatre as a Learning Tool," which brings students from diverse socioeconomic, cultural, and educational backgrounds to see fully staged theatrical productions. Notes that the program integrates the plays into daily lesson plans in reading, writing, critical thinking, and communication…

Discusses the role of computers in the drama classroom, considering advantages and disadvantages. Suggests possible computer applications to achieve goals in three areas: thinking skills, creativity, and drama. (SR)

Describes 45 third graders'"dramatic literacy" and the modal sources for inferences. Finds that (1) the more children used visual cues, the more they used verbal and psychological cues; and (2) inferences about the play's theme were related to aural recall of thematic dialogue and what children reported learning from the play. (SR)