In this third edition, some amendments and additions have been made to the original text, first published in 1950. As in past editions, the relationship between the inner motivation of movement and the outer functioning of the body is explored. Acting and dancing are shown as activities deeply concerned with man's urge to establish values and…

The group interpretation approach to theatre production is defined as a method that will lead to production of plays that will appeal to "all the layers of the conscious and unconscious mind." In practice, it means that the group will develop and use resources of the theatre that orthodox companies too often ignore. The first two chapters of this…

This report is a transcription of the proceedings of the Aesthetic Education Center meeting of 1971, sponsored by AETA and CEMREL, Inc. Following an opening statement, the report summarizes a panel discussion on "What Is Aesthetic Education?" which centered on finding approaches to relating the arts programs in schools more closely and in new ways…

Several plays are studied to introduce students to theatrical terms and to the elements of a play in this quinmester course for Dade County High Schools. Several approaches to the study of the play are suggested such as individual and a large group production of a play, the use of a unified theme such as Youth vs. Tradition, or the line of…

A collection of sixteen one-act royalty-free plays for teenagers, including detailed directions for costuming and staging, is presented. The variety of the dramatic material makes the plays suitable for production by drama classes, amateur theatre groups and drama workshops. The plays appear in one of the two parts of the book: I. Comedies, and…

The author examines the characteristics of aesthetic factors operative in theatrical art. He views the theatrical event as an auditory, graphic, and kinetic stimulus complex derived from prolonged, violent, emotional situations. The theatrical event is conceptualized as a sign process in which a specific line of dialogue or piece of action…

This paper contends that sports, dance, and drama should be considered together when studying cultures for purposes of comparison because the basic elements of these three disciplines are found in all societies--primitive and advanced. The paper presents: (1) discussion of pertinent aspects of sport, dance, and drama; (2) examples of comparative…

The purpose of these lessons is to provide learning experiences which facilitate junior high and senior high school actors' mastery of stage movements when working with scripts. Suggested exercises include practice in finding motivation for actors' stage movements, acting a scene (from "West Side Story"), and interpreting and acting scenes of…

Once an actor or actress has gained experience with basic stage movement and speech, convincing character portrayal may be the next skill to be developed. This package is designed to provide a deeper understanding of character development through careful reading, research, thought, and experimentation. The two related lessons--from research to…

In this periodical, six respondents from various colleges and universities provide brief commentaries on the subject of genre study in the field of oral interpretation. According to the pamphlet's editor, all of these critics affirm the importance of literary study and genre study to performance, intimate some dissatisfaction with the terminology…

(Available From: CS 703 683)

Emphasizes the impact set design has on overall production efforts and on the audience and discusses creative stagecraft for the small secondary school stage. (MH)

Use "West Side Story" or another of the many Broadway musicals that lend themselves to classroom activities to take your students off the beaten path of routine learning. (Author)

Illustrates the different types of curriculum materials available for K-12 speech communication and theatre teachers through examples selected from the ERIC system. (MH)