Suggests that "Ties That Bind" is an exemplary model of critical dramaturgy. Offers a framework of organizational theatrics to provide a context for understanding the author's view of critical dramaturgy. Suggests that Taylor's play is critical dramaturgy because it addresses hegemony and "cooptation." Presents a discussion of…

Describes the incorporation of writing into theater courses and ways of crafting engaging writing-intensive courses. Contends that in designing writing-intensive courses, theatre professors need to analyze the learning styles, strengths, and weaknesses of theatre majors. Concludes that writing can deepen students' learning experiences, encourage…

Explores the detailed processes whereby concert performances of serious music are collectively achieved in rehearsal. The article concentrates on a youth orchestra rehearsing a section of a Beethoven symphony that was audiotaped. The article further focuses on the "talk" that shapes the collective musical activities rather than the…

Discusses several educational outreach programs run by professional theater companies throughout the country, like those of Center Stage in Baltimore, the Berkeley Repertory Theatre, and the Oregon Shakespeare Festival. States that audience education is crucial--theaters need to prepare students and teachers for what they are going to see. Notes…

Surveys General Education program administrators. Finds that innovative General Education programs often disregard theatre arts courses. Encourages theatre faculty to consider the importance of their programs becoming more aggressively involved in curriculum reform. Proposes theatre studies can synthesize and personalize ideas across the…

Discusses Jo Trowsdale's case for "Reconsidering the Role of the Artist in Initial Teacher Training (ITT)" (RIDE, 2002). Notes that it argues for the centrality of engaging with different models of practice and different kinds of artists as a way of creating more equitable arts education experiences for all young people. Considers recent…

Explains how the author's father taught her about theatre in their everyday life. Discusses artistic sensibilities such as the use of voice, body, mind, and values. Explains the following theatre specifics: pacing; language; telling the story; relaxation and humor; participation; the audience's job; inflation of titles; history; subtext; and…

Applied outdoor experiences may be seen as theater and, as such, can allow a more flexible, integrative approach to outdoor learning. Both the arts (particularly theater) and outdoor experiential learning contain nine common elements, including elements of working with groups, and personal and transpersonal components of experience. Three…

Notes that assessment and evaluation models, even portfolios, measure impact over fairly short periods of time. Discusses how transformative moments happen out of educators' line of vision and sometimes long after these students have left the classrooms and rehearsal halls. Discusses instances when teens isolated the content of the play they were…

Proposes that the Internet can be a valuable source of information for teachers who use or plan to use Readers Theatre in their classrooms. Provides a brief description of Readers Theatre and its many benefits for literacy learning. Describes Internet sources for scripts and for information on implementation, additional classroom applications, and…

Describes the design of the Isabel Bader Theatre at Victoria University of the University of Toronto, including the educational context and design goals. Includes building plans and photographs. (EV)

Explores the successes and failures of the author's "Searching for Osun," a performance ethnography which charted a subjective and selective meditation on Nigeria. Explains important concepts of performance ethnography, such as: an idea of question which constitutes the context; the accountability of the ethnographer; subjectivity;…

Describes what one school is doing in its theater faculty to seize the opportunity of "owning" an assessment program. (KEH)

The Rural Educational Alliance for Collaborative Humanities (REACH) Program, designed to enrich humanities study in rural South Carolina schools, encourages youngsters to explore their communities' history and culture, thereby connecting rural schools to community life. This article praises assessment as theater and urges its use in other…

Notes that the "other half" of whole language is the enjoyment of expressed meaning, speaking and listening, and performing and experiencing performance. Describes interactive multimedia technology that can provide opportunities for students to experience theater and poetry as audiovisual productions. (RS)