In this article, the author suggests that the dichotomy that so frequently plagues debates about theatre for young people and whether or not it should have an educational or "interventionist" agenda may be misconceived. He suggests that the use of theatre in "applied contexts" (whether schools, museums, young offender institutions, prisons, or…

The term 'community arts theatre' is used here to describe theatre created and performed by groups of adults in Telford, Shropshire, a new town in the West Midlands of England. The author, who was the co-founder and a theatre worker at Telford Community Arts (TCA), argues that their work is best understood as grassroots artistic reflections of and…

Multigenre texts are a recent trend in children's books. These types of books can enhance students' comprehension and provide models of various types of writing genres. They can be used in differentiating instruction and increasing fluency when transformed into readers' theater texts. Many examples of multigenre books are provided in this article.

Teachers from a high school and university collaborated to analyze the obstacles students encountered while understanding the theatre play "Our Town". A description on the activities undertaken to help students approach and appreciate the play is presented.

For the project, an actress created a patient character, staging a consultation among a group of 36 medical students. The consultation process was monitored by a teacher and was stopped by "timeout" at any critical incidence. Students reflected on possible strategies and, one at a time tried out their own or someone else's proposal. The project…

This paper is based on research that sought to investigate the procedures of theatre for community development in Kenya. This article was stimulated by this larger research and is particularly an interrogation of the ethics of practice in the enterprise of theatre for community development. It critically interrogates the roles of the different…

This article considers a site of practice that fosters dialogic consciousness, which I suggest is necessary to teaching social justice and diversity of thought in all sites of practice, including schools. Consciousness of one's own perspective taking and the dialogism necessary to foster voice development are grounded in a growing awareness of our…

"Performance of pain, performance of beauty" explores performance projects in war zones using Elaine Scarry's definitions of "pain" and "beauty" as a starting point. The way in which pain constricts the body and the experience that beauty can take a person beyond the body become a contested framework for considering…

In the introduction of "Performing Live", Richard Shusterman challenges the reader to decide of the book, "Do its diverse texts manifest an individual style, or at least a reasonably consistent one?" In reflecting on this question, Higgins answers, "Yes." For her, the essays in the book, although written over the course of a decade, do exhibit…

This paper discusses ways in which theatre practices reflect the dynamics of historical development seen from the perspective of transculturation (Epstein, 1995). The analysis is centred on modes of appropriation of Shakespeare and Chekhov in Denmark. The argument relies on a broader statistical investigation into repertoire development, but…

Art galleries, theaters, and museums are often communicatively inaccessible to people with aphasia. This article describes how a group of people with aphasia and a group of health and arts service providers worked together to develop an arts access initiative that involved people with aphasia in accessing museums and arts courses in the community…

This article explores the use of ironic performance in education, particularly around issues of human rights. I examine my own efforts to engage audiences with the history of domestic espionage and sabotage by the intelligence agencies of the United States. This is a history well known to some marginalized counterpublics (see Fraser, 1997), but…

In this article, the author describes a collaboration between The Actors' Fund of America and 12 schools in the South Bronx. The true purpose of the STARRR (Substitute Teachers for the Arts and 3Rs) program was to establish relationships between artists and schools. Three years later, the author sees the results of those relationships: so many…

This article describes a learning method that employed theatre students as family clients in an advanced social work practice course. Students were provided with an opportunity to integrate and apply their learning of theory, clinical skills, and professional conduct in full-length family therapy sessions that occurred in the classroom and were…

In this essay, the author suggests that performance studies--a large and varied body of work that takes the fluidity of self and the relationship between word and action as its central concepts--offers theories and methodologies for writing teachers to use to help students construct discoursal identities. Although the performative screen offers…