Discusses, also, four "modes" of teaching the arts--information, practical, interpretative, and critical; based upon a paper presented at convention of American Educational Theatre Association, August 1969. (SW)

The Macey Center is a solar-heated theater built to combine the conference, drama, and fine arts facilities at the New Mexico Institute of Mining and Technology. (MLF)

Proposes the iii system as a theory to clarify how creative drama works. Explains how participants in an arts experience go through an internal process (iii system) of image, imagery, and imagination. Notes that those who experience the richest, most varied drama activity seem to complete this process. (PD)

Juxtaposes Erikson's theory of psychosocial development with Goldberg's concept of developmental drama. Suggests that research in this area could (1) strengthen the skills of directors, playwrights, and pedagogues and (2) offer educators and administrators a scientifically valid case for the value of children's theater in the schools. (PD)

A model performing arts program (The Arts from the Inside Out) for gifted and talented elementary students at the Robert Blair Pollock Elementary School in Philadelphia (PA), provides children with first-hand backstage experience with opera, music, dance, drama, filmmaking, and architecture. (CL)

Describes an educational program that involves the use of theatre and dramatic approaches by a team of actor/teachers in order to promote learning in a school. Contains a script for a play developed by a Theatre in Education team and its students. (HTH)

Discusses the problems in existing cataloging and classification systems which have contributed to the difficulties of theater librarianship. Some alternatives to these systems are described, and data from a survey concerning current cataloging/classification practices in theater librarianship are presented. A 39-item reference list and the survey…

Reflects on the evolution of a British Film Institute course in avant-garde film. Discusses the historical development of the genre; production, distribution and exhibition of avant-garde film, as well as political relevance. (JMF)

Cites some of the attempts to link theater with communication within the field of speech communication and describes the ways the two areas have shifted synchronously during the 1950s and 1960s. Suggests explanations for the parallel changes and new directions for further inquiry. (JMF)

Discusses the effect on Spanish theatre of the abolition of censorship and repression following the death of Generalisimo Franco in 1975. Examines how the plays written and produced since that time reflect a sense of euphoria followed by disillusionment and doubt characteristic of the post-Franco society. (JMF)