Before considering the portrayal of values in children's dramaturgy, this paper discusses definitions of values, examines the way in which children learn values and the confusion about values that contemporary children may feel, and reviews books that deal with the role of children's literature in values education. It then identifies five…

Based on the analysis of 270 studies pertaining to audiences of the performing arts and visitors to museums, this critical review presents a social profile of the culture consuming public and evaluates the quality and usefulness of audience research. The review offers the following information arranged in four chapters: a description of the basic…

The entries in this journal represent the second annual publication of selected material dealing with the topic of black theatre. Articles describe an evening with the Frank Silvera Writers Workshop in Harlem, relate an interview with Vinie Burrows, explore the thinking of black scholars and artists on the elements of the African-American theatre…

Directing and acting in television productions requires a broad technical background that differs greatly from stage productions. In addition to understanding the technical problems that are unique to television, the director and actor must be deft at script analysis, character development, and mood setting. To assist the aspiring director and…

The contents of this book, which explains the techniques of sound engineering, sound design, and composition for the theatre, are compiled for the theatre student who knows very little about sound. Topics of chapters are acoustics, systems, equipment, sound for a theatrical production, recording and editing techniques, composing and creating sound…

The recommendations outlined in this paper were designed for preparing specialists in speech communication and in theater as well as for preparing communication and theater components in all teacher education programs. Two objectives are outlined: (1) the development of the prospective teacher's own communication and performance competencies in…

The general plan of the 4-year (1966-1970) Educational Laboratory Theatre Project was to have theatre companies in Rhode Island, New Orleans, and Los Angeles give five matinee performances per week for high school students and three evening performances for adults in order to (1) make extensive use of professional theatre as an integral part of…

A complete statement on "the open stage" which will prove of value to architects, consulting engineers and school administrators in the construction of college, community and school auditorium theaters. Directors and teachers of drama should find this booklet a practical source of advanced technical knowledge in their field. The…

A set of lessons to introduce "Julius Caesar" to secondary school students unfamiliar with Shakespeare is provided in this teaching guide. Only a critical fraction of the play is covered in the lessons. First, a synopsis of a modern high school situation whose conflicts parallel those in "Julius Caesar" is presented; then,…

This course guide for teachers is intended to provide experiences for secondary students in illumination and lighting for a drama production. Performance objectives listed for the students include: (1) setting up a lighting diagram for a one-scene show and a two- or multiple-scene production; (2) wiring and setting up equipment for a one-scene…

A history of the people's theatre movement in this country from the early 1920s to the early 1970s, this book deals with the structural and thematic connections between the radical theatre of the twenties and thirties and current work of such revolutionary theatres as the Living Theatre, Open Theatre, Bread and Puppet Theatre, El Teatro Campesino,…

This document, one of a series of monographs concerned with humanistic education, contains a dialogue between Errol Hill, a recognized scholar who presently chairs an academic theatre program at Dartmouth College and serves as a member of the Board of Directors and head of the Black Theatre Program, and Peter Greer, associate director of the…

The teaching and understanding of Shakespeare are the subjects of these essays by (1) Louis B. Wright, who is concerned with the elements of Shakespearean plays which give them world-wide acceptance and timelessness, (2) Richard Hosley, who explores the use of stage curtains both today and when Shakespeare's plays were first produced, (3) G. L.…

This curriculum guide provides an introductory course in the theatre for first-year high school students. The course uses an interdisciplinary approach and includes a discussion of types and styles of drama, a brief history of drama, fundamentals of acting, and techniques of play production focusing on music, costume design, make-up, scenery,…

The Fall 1972 issue of this publication focuses on oral interpretation, readers theatre, and creative dramatics. The lead article is on the subject of readers theatre for teaching interpretation to elementary school children. Two articles discuss the roles of creative dramatics and readers theatre in the high school curriculum. Relationships…