At the end of the two-year term of the first licenses for performance of music copyrighted under the new copyright law, the "model" licenses are being reconsidered. Considered here is whether an institution should sign a model license, or any other license, based on reference to the law itself. (MSE)

Surveys elementary and secondary teachers who are members of the American Alliance for Theater and Education on their efforts to highlight the experiences of specific ethnic groups through theatre productions and their use of classroom drama. Discusses this multiethnic infusion in terms of teacher actions, teacher goals, teacher concerns,…

Provides a four-step process for teaching about racism: (1) the articulation of experience, (2) codification, (3) decodification, and (4) empowerment. Teaches students to describe what they see around them, define the problem, share similar experiences, question why there is a problem, and strategize what can be done about the problem. (DAJ)

A teacher at the Model Secondary School for the Deaf (District of Columbia) discusses the process of creating, rehearsing, and producing a play using sign language as an expressive and artistic tool. The importance of performing often enough to achieve the euphoria of mastery is stressed. (DB)

Suggests Roger Deldime of the University of Brussels is one of the foremost francophone theorists of theatre sociology and has a special interest in children's theatre and education. Presents a detailed case study to examine how a strong and principled theory of theatre's role in children's lives has been successfully turned into a thriving…

This essay discusses how Maude Adams influenced James M. Barrie's creative process and became his inspiration. Set change theory is underscored as a cognitive explanation for Barrie's illumination. The psychoanalytic theory of transference is proposed as an underlying mechanism for facilitating the change of mental set during the incubation stage.…

Details a case study of using narrative theater to engage with a wider variety of subject matter. Defines narrative theater as a group performance that features narrative as the primary expressive vehicle. Outlines the process of writing and directing a student performance of Tim O'Brien's novel "The Things They Carried," which deals with the…

Describes a project in which eight students from the Drama department at Exeter University created a "poetry show" based on poems in English for children, and gave performances in schools and teachers' colleges in Poland. Discusses the project's aims and the principles followed in expressing the meaning of drama in each poem; highlights…

Use of dramatics in French second language education is advocated with theoretical and practical arguments, and a four-stage approach to language acquisition through theater is proposed. The approach is based on activities of a bilingual theater troupe that offers Mount Allison University (New Brunswick) students an opportunity to participate in…

Describes Readers Theatre, a presentation of prose or poetry that is expressively and emotionally read aloud by several readers. Describes how students work collaboratively to adapt their favorite books, poems, or stories to a Readers Theatre script. (RS)

Questions who decides what a culturally literate person needs to know and its social implications. Comments on the lack of dance references in E. D. Hirsch's book, "Cultural Literacy." Discusses what a person needs to know about dance. Analyzes dance as art in the context of cultural literacy's requirements. (KM)

Describes the procedures followed by Louisiana public libraries in establishing and operating that state's award winning summer reading program. The cooperative efforts of the state library, state library association, and committees of public librarians are discussed, as is the incorporation of performing artists funded by grants from the state's…

Presents the results of a survey of perceived quality of doctoral programs in theater as rated by members of the Association for Communication Administration and members of the Association for Theatre in Higher Education. (MS)

Responds to "Toward Civilization, A Report on Arts Education" by the National Endowment for the Arts, published in May, 1988. Examines implications of the report for drama education as part of the curriculum in elementary school, focusing on the purposes of understanding civilization and developing aesthetic literacy in drama. (MM)

An unusual degree requirement at Christ College, the honors college of Valparaiso University (Indiana), involves freshman production of an original musical theater production. The role of such a collaborative and imaginative effort in a liberal education is discussed, focusing on the arts as a context for inquiry. (MSE)