Argues that a reconsideration of what theatre or drama research actually is, and who undertakes it, is essential for the spark of life to fully enter the world of educational theatre. Discusses practical applications of research. Argues that research, like theatre, is for all, including students and teachers, and that controversy and…

Argues that student ownership of drama/theatre work encourages an unparalleled level of commitment and collaboration. Discusses four criteria signifying student ownership; teacher reluctance towards student ownership; effective roles for the teacher; and student benefits from ownership in drama work. (SR)

Presents an interview with Ruth Beall Heinig, author of "Creative Drama for the Classroom Teacher," about her role as a teacher of creative drama and as a teacher-educator preparing teachers to use creative drama. Describes the development of her career in creative drama. Offers information on books about the subject written by other authors. (CR)

Describes the potential that theater has to exert a positive influence on students' behavior patterns. States that positive educational experiences for African-American children may be achieved through the development of "an alternative frame of reference, positive self-concepts, a Black identity, and a commitment to their people."…

Examines the socialization process of newcomers to a residential high school for performing arts. Finds that communication appeared particularly useful in reducing affective uncertainty and providing students with reassurance and support. Analyzes the hidden curriculum of this school, identifying four aspects: control versus freedom, inclusion…

Explores the extent of self-censorship in community college theater programs across the country, and examines what part the college administration plays in such censorship. Suggests reviewing further the theater department's responsibilities in serving both students and community. (AS)

Describes development of a new youth theater in an academic setting meeting the needs of urban youth, while satisfying the very different academic demands of an innovative educational theater teaching program. Describes genesis and development; pedagogical principles underpinning both programs; how this model fosters the growth of a community of…

Describes the author's experiences directing at an interactive health education theater piece on acquaintance rape. Discusses personal and professional challenges and ethical dilemmas that came up regarding Post Traumatic Stress disorder, the activating of traumatic experiences. Argues that input from healthcare professionals was crucial, and…

Describes a theatrical workshop developed to teach Italian to third-year students. The aim of the course was to increase students' understanding of Italian language and culture and to enhance their communicative skills and appreciation of literary texts. (Author/VWL)

Describes the production of a readers' theater version of the first women's rights convention held at Seneca Falls, New York (includes script). Discusses the benefits of readers' theater for studying women's history and encouraging female student class participation; strategies for using readers' theater; and students creating their own readers'…

Using research conducted at an urban youth theater program, this paper demonstrates how young artists play organizational roles and act with a sense of agency comparable to that of the corporate world. The paper helps those working in school- and community-based after-school programs see new partnerships and programs as both possible and…

A work preference model of artists' labor supply was applied to data on Australian artists. Results show that artists subsidize their profession by working outside the arts; the higher their nonarts income, the more they subsidize arts work. Artists reduce hours worked in their principal artistic occupation when they receive a higher arts income.…

Examined how Asian American actors coped with the constraints of being minorities in an industry where physical appearance is crucial to success. Respondents' narratives reflected such coping strategies as not confronting issues of race, rationalizing that things are much better now for Asian American actors than in previous years, and believing…

This study examined the association of gender-role orientation to creative accomplishments and cognitive styles in 127 college students. Results indicated that the gender role orientation of instrumentality was positively associated with creative accomplishments in the business venture domain and that androgynous, versus non-androgynous,…

Describes the development, production, and performance of "Harvest Ceremony: Beyond the Thanksgiving Myth," a museum theatre piece performed annually at the Smithsonian's National Museum of the American Indian's Gustav Heye Center. Notes that the play gives the audience a fresh perspective on the first Thanksgiving from the Native point…