Presents a literature cluster composed of stories about schools that are adaptable to readers' theater and appropriate for use with grades 3-6 students. Presents a synopsis of each text (a book of poetry, 2 nonfiction books, 6 novels and 2 picture books) along with suggestions for adapting and presenting them as readers' theater. Includes a brief…

Describes the Emotion Map project, a project for high school students in a school for the performing arts. The mural-sized "map" allowed students to represent their feelings and helped them deal with the intense competition and pressures of their academic and performing lives. (SLD)

Chronicles one English-as-a-foreign-language teacher's experiences directing an all-student cast from North-East Normal University, Chang Chun, in three performances of an English translation of Moliere's The Miser. (Author/VWL)

Readers' Theatre is a presentation by two or more participants who read a script. The focus is on effective reading of the script, rather than on a memorized presentation. Discusses preparing the scripts; getting started; the Readers' Theatre Fable Festival; and how Readers' Theatre can be used to enhance the reading and writing program. Includes…

The author has worked in education for almost 30 years in the UK and internationally. Since 1987 when she cofounded an international theatre company called CETTIE (Cultural Exchange Through Theatre In Education), the author has worked as an arts practitioner and arts education consultant in parallel with her teaching career. She has consistently…

This paper presents some of the emergent findings from my Ph.D. research, which is connected to the large-scale, federally-funded research project on which I am an assistant. This project investigates how drama education highlights the intersections between students' school and personal lives, and the influence of those intersections on the…

Performance theorist Herbert Blau's "The Audience" (Baltimore and London, Johns Hopkins Press, 1990) is an important yet neglected theoretical text on theatre audience. Deconstructive, dense and allusive in nature, Blau's text creates a real challenge for his reader. This paper presents a study of "The Audience" employing what I am calling…

At a time when college administrators, faculties, and parents are debating the purpose and value of higher education, the rising cost of a baccalaureate degree, and the role education plays in the twenty-first century, a major in theatre, theatre studies courses, and theatre activities have not received much interest. It is not uncommon to hear,…

In this article, the author talks about the "December 7, 1941 Project," a partnership between Honolulu Theatre for Youth (HTY) and a local elementary school. The project brought together 4th and 5th grade students and teachers with community elders, artists and parents, using oral history and drama education to investigate memories…

In an effort to strengthen the authentic connection between theatrical work and classroom curriculum, the Alliance Theatre in Atlanta Georgia has taken a new direction in their arts education programming. They now put their Theater for Young People performances and scripts at the center of all their youth-centered outreach work, including teacher…

This study explores a fourth grade classroom, hypothesizing about the possibilities for using drama to teach elementary school science. The case study provides one with the author's first glimpse into a fourth grade science classroom, as well as a preliminary examination of whether or not room exists for drama in the elementary science classroom.…

The authors work in the most difficult conditions to create the most crucial art. In this article, the authors share their experience in teaching art at Devereux Deerhaven, a home for abused and neglected girls. They arrived at Devereux Deerhaven unprepared for the residents and the facility. Yet, they left educated about their students and the…

Founded in 1995, the Taiwanese Uhan Shii Theatre Group has created 12 distinctive reminiscence theatre productions and has performed locally in Taiwan as well as globally around the world. The company has developed its own theatrical aesthetics of memory, and their work not only represents the traditions of Taiwanese culture and habitus, but it…

Performing arts courses at research institutions such as Harvard University are often seen as extracurricular with only tangential or imperceptible effect on students' academic interests. Yet, when this author interviewed biology, math, or neuroscience concentrators who took Claire Mallardi's "Movement for Actors and Directors" course at Harvard…

Teachers who want to involve their pupils in classroom drama need to be aware of the necessary conditions for dramatic engagement. In this article we seek to identify four conditions for the preparation of successful drama, and support our argument with reference to Shakespearean drama. The conditions are identified as: agreement by the…