The author criticizes the institutons of opera education by delineating the inadequate performance skills often found in their graduates. He makes suggestions for change in opera training systems and professional standards. Part of a theme issue on opera. (SJL)

Reports on the background and status of plans for implementation of language-centered international high schools proposed in the 1979 report of the President's Commission on Foreign Language and International Studies. Discusses the importance of including theater/drama in the curriculum. (PD)

Reports on the visit of five American filmmakers to the People's Republic of China in 1979. Includes their observations of film and television facilities and reviews their meetings with actors, writers, directors, producers, archivists, historians, teachers, technicians, and other film workers and students. (JMF)

Presents the text of an interview with Robert Brustein, Dean of the Yale School of Drama and Artistic Director of the Yale Repertory Theatre from 1966 until 1979. Discusses his work with experimental theater at Yale and the place of theater and drama in the university and society. (PD)

Mixing education with entertainment, the Asolo Touring Theater brings its repertory of plays and student and teacher workshops on theater arts to school audiences in the southeastern states. The article describes the types of productions (participation, traditional, and famous plays) presented for three audience levels from primary through…

Notes that "drama has been seen by many to be one of the best means of helping students to know themselves more fully," and discusses the place of drama in the schools, what drama does for people, drama as a literary genre, readers' theater, mime, role playing, simulation, creative dramatics and plays for an audience. (Author/JM)

Argues that the reading and writing of case studies written by student teachers about their own student teaching experiences can help students in drama/theater teacher education to integrate theory and practice. Presents one such case. Describes how cases can be used in methods class; notes advantages of the case study method; and describes…

Endorses the position that fabricated discourse presented as nonfictional in nature is a model of ordinary talk, which is relied upon to convince an audience of its verisimilitude. The purpose of the article is to document the strategies used in a puppet show, "The Sooty Show," and to demonstrate their effectiveness in generating a sense…

Because the researcher's interpretation is the final word, traditional research reinforces relations of domination. When popular theater is used as research methodology, the interviewer's interpretation is performed immediately following data collection, and interviewees offer their interpretations of the interpretation. This gives voice to those…

Describes the author's experience in writing and directing a staged reading of "Ties That Bind" at the 2002 Academy of Management Meetings in Denver as an all-academy symposium. Presents an epistemology that includes knowing in your gut and knowing in your head. Hopes to facilitate a move within the audience from being a feeling but passive…

Considers the relevance of a semester length curriculum in Performance for Art and Theatre students. Contends that art majors in performance classes learn to value more ephemeral content, to work with time, and to think explicitly about audience, while theatre majors have an opportunity to engage with original, personally expressive content and to…

Describes a model that uses a culturally grounded approach to group social work in which the whole child is supported. Based on a developmental approach, the model uses the performing arts to help students express themselves. Looks at preplanning, group formation, and the various stages of implementation. Discusses implications. (RJM)

Describes the creation of a set of outcome assessment guidelines recently developed for college and university theater programs. Categorizes outcomes in three ways: knowledge, skills, and attitudes. (KEH)

GATEWAY II is a summer program for fourth and fifth graders in South Carolina which encourages an integrated approach to the visual and performing arts. The program's instructional quality and curriculum creativity level are assessed through observations by a former teacher of gifted children and interviews with student participants. (JDD)

Asserts that students' reading comprehension is enhanced by sharing personal text interpretations through social interaction in the reading classroom. Presents three lessons which encourage sharing and extending text comprehension by exploring text meaning through art; by developing a Readers Theatre script; and by shifting question-asking…