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Greenslade, Thomas B., Jr. – Physics Teacher, 2011
Without applications of physics such as counter-weighted sets and backdrops, inclined planes, stage lighting instruments, and other mechanisms for "deus ex machina," dramatic productions would revert to the words only--fine for Shakespeare and Becket, but not good for audiences who are accustomed to experiencing plays with the eye as well as the…
Descriptors: Physics, Science Instruction, Theater Arts, Optics
Mazzocca, Ann E.; Finn, John C.; Goetz, Evan; Gibson, Lisa – Geography Teacher, 2015
The first workshop in this series of institutes exploring the legacies of slavery in Virginia sponsored by the Virginia Geographic Alliance took place in Richmond, Virginia, and explored Africanist aesthetic legacies in contemporary culture and performance. In this workshop, the authors were specifically interested in pursuing the intersecting…
Descriptors: Aesthetics, Music Activities, Dance, African American Culture
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Henry, Jim; Baker, Tammy Haili'opua – Across the Disciplines, 2015
This case study conducted by a writing specialist and a theatre specialist examines the ways in which writing to learn and learning to write took form in a course in which the ultimate goal was a staged production for a live audience. Using naturalistic methodology that deployed both ethnographic and autoethnographic approaches to analyze the…
Descriptors: Case Studies, Theater Arts, Ethnography, Autobiographies
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DeMichele, Mary – International Journal of Education & the Arts, 2015
This article explores how short form/comedic improvisational theater impacts the development of writing fluency. Students in all disciplines need to be able to purposefully write, however by the time students reach high school many have already given up trying to express even their own thoughts in free writing. Two quasi-experimental action…
Descriptors: Creative Activities, Writing (Composition), Writing Skills, Theater Arts
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Kennedy, Joan – CEA Forum, 2011
The pedagogical principle of experiential learning embodied in the oral interpretation of literature through Readers' Theater provides an avenue to accomplish a seemingly daunting task. Students' participation in reading, interpreting, discussing, writing, assessing, and performing their own creative responses to a literary work promotes a…
Descriptors: Cognitive Processes, Experiential Learning, Teaching Methods, Creativity
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Udo, J. P.; Fels, D. I. – Disability & Society, 2010
In this paper we demonstrate how universal design theory and the research available on museum-based touch tours can be used to develop a touch tour for blind and low-vision theatregoers. We discuss these theoretical and practical approaches with reference to data collected and experience gained from the creation and execution of a touch tour for…
Descriptors: Vision, Blindness, Partial Vision, Theater Arts
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Love, Katie I. – Journal for Learning through the Arts, 2012
Theater of the Oppressed (TO) is used in a variety of setting and communities to explore ways of recognizing and overcoming oppressions. The main purposes of TO is to become more critically aware of oppressions and power relationships, to rehearse alternative solutions for real life, and to ultimately to be able to make change for social justice.…
Descriptors: Nursing Education, Undergraduate Study, Theater Arts, Audience Participation
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Paltridge, Brian; Starfield, Sue; Ravelli, Louise J.; Tuckwell, Kathryn – Journal of English for Academic Purposes, 2012
This article describes an investigation into the practice-based doctorate in the visual and performing arts, a genre that is still in the process of development. A key feature of these doctorates is that they comprise two components: a visual or performance component, and a written text which accompanies it which in some ways is similar to, but in…
Descriptors: Doctoral Dissertations, Social Action, Theater Arts, Visual Arts
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Murray, Beth; Salas, Spencer – English in Texas, 2014
Using Jane Austen's "Sense and Sensibility" as an anchor text, the authors argue for applied theatre strategies as vivid and viable tools for exploring challenging texts and applying critical lenses in an embodied way. Readers are guided through a series of theatre-based, English-classroom accessible improvisational frameworks to help…
Descriptors: Creative Activities, Teaching Methods, Novels, English Literature
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Omasta, Matt; Snyder-Young, Dani – Research in Drama Education, 2014
This article explores prevailing rhetoric in published scholarship in the field of educational drama and applied theatre, responding to O'Toole's call to investigate if researchers in the field are "missing something vital by staying in our comfort zones". He noted a "serious need for more usable, broad-based, and reliable base-line…
Descriptors: Drama, Theater Arts, Literature Reviews, Educational Policy
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McLauchlan, Debra; Winters, Kari-Lynn – Research in Drama Education, 2014
This article describes an investigation of three Year I secondary school drama classrooms in one Ontario, Canada, school district. The study adopted a mixed-method approach, using questionnaires and audiotaped interviews to illuminate aspects of the contexts and cultures, processes and products of Year I drama. Although course offerings across…
Descriptors: Foreign Countries, Secondary School Teachers, Secondary School Students, Drama
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Badie, Gina Tiffany – CATESOL Journal, 2014
This article discusses practical ways to incorporate theater concepts into the ESL classroom. The notion of a theater ensemble lends itself well to group work in language learning. I have used my experience auditioning, participating in theater games, and improv techniques to encourage second language learning through public speaking, group…
Descriptors: Classroom Techniques, Concept Teaching, English (Second Language), Second Language Instruction
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Cranston, Jerome; Kusanovich, Kristin – Canadian Journal of Educational Administration and Policy, 2014
This paper shares the outcomes derived from research conducted with the participants of an interdisciplinary workshop entitled "The Drama in School Leadership" that employs applied drama processes and analysis in order to understand educational ethics. Participants explore high-stakes scenarios in school leadership by taking on roles in…
Descriptors: Educational Administration, Drama, Ethics, Instructional Leadership
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Joseph, Michael; Ramani, Esther; Tlowane, Mapelo; Mashatole, Abram – South African Journal of Childhood Education, 2014
The extensive empirical research inspired by Piaget and Vygotsky's theories of make-believe play has been criticised for restricting data to Western, urban, middle-class children. We seek to redress this bias by researching the traditional black South African Pedi children's game Masekitlana. Our data relies on embodied memories enacted by Mapelo…
Descriptors: Play, Criticism, Ethnography, Blacks
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Richardson, John M. – in education, 2013
The development of digital technology and the participatory culture it engenders presents challenges to secondary school English and drama teachers keen to expose their students to the pleasures and rewards of live theatre. Within Scardamalia's notion of the "knowledge building community" (Scardamalia & Bereiter, 1994, 2006;…
Descriptors: English, Language Arts, Drama, Secondary School Teachers
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