Creative Arts in Learning, a master's degree program at Lesley College Graduate School, acknowledges the importance of teacher creativity. By feeding teachers' inner lives, the arts can transform the tone of classrooms or entire schools. Courses in storytelling, visual arts, and drama help teachers demystify the arts, learn alternative…

For 30 years, Project Adventure (PA) has created adventure education programs that help participants face their fears, understand how others feel, and build creative group process. School-based PA programs help students take responsibility for their own behavior, while PA techniques are widely used in adventure programs for at-risk and adjudicated…

The Inner-City Arts Training program trains Winnipeg (Canada) teachers in art appreciation, visual awareness, and art production. This training allows them to guide their students through extensive projects that encourage individual contribution while furthering teamwork. The consonance between visual and verbal language is used to develop…

Maslow's (1971) theory of primary creativeness is used as the basis for a self-actualization model of education. Examples of how to use the model in creative homeschooling are provided. Key elements include digressive and immersion learning, self-directed learning, and the integration of work and play. Teaching suggestions are provided. (Contains…

Dynamation is the integrative process whereby the sum total of all learning, knowledge, experiences, and feelings are brought to bear on productive, creative action and problem solving. The article discusses 10 techniques developers can use to encourage faculty to engage in growth activities. Focus is on facilitator-enhanced empowerment.…

Proposed is an activity designed to teach the similarities and differences between artistic and scientific vision. Objectives, materials, procedures and follow-up activities are listed. Preliminary activities in physical science and earth science are suggested. (CW)

Describes the contents of a book entitled The Care and Feeding of Ideas: A Guide to Encouraging Creativity which considers the thinking process, why skills need to be developed, and how students use or should use these thinking skills. (RT)

Thirty-six above-average, low-income Hispanic children (in grades two-six) in a metropolitan area participated in a special year-long program designed to improve their self-esteem and strengthen thinking and learning skills. Hemisphericity and creative thinking measurements revealed that the sample had high right hemisphere scores and slightly…

Examines the theories of Howard Gardner and Rudolf Laban as frameworks for exploring issues of creativity and dance education. Asserts that Gardner's theory of multiple intelligences and Laban's language for movement description provide a language for discussing creativity in dance. (CFR)

During college and after one year of teaching, elementary educators completed surveys regarding their expected computer use in teaching, noting personal variables that might predict computer use. Though 97% predicted computer use, only 61% actually used computers. Self-competence and perceived relevance predicted computer use initially, though not…

This lecture discusses the creative ability of young children, asserting that educators must cultivate children's creative potential so that these abilities can develop and expand. Early childhood education also needs to take into account children's natural need for rules. (MDM)

Maintains that assessment in the arts often is avoided in the early childhood years because it appears to be incompatible with a child-centered philosophy. Asserts that reflective assessment procedures can inform early childhood teachers about instruction in arts education. (CFR)

Asserts that, given proper preparation at the elementary and middle school levels, high school students can learn to improvise stylistically appropriate harmony, rhythm, and melody. Provides suggestions for teaching choral improvisation. Maintains that improvisation success must build on what students always know--melody. (CFR)

Ninety-three students in a high school alternative learning center for disruptive, disaffected youth were assessed on potential giftedness and talent. Based on the Otis-Lennon School Ability Test, the IBRIC Biographical Inventory, and nominations by teachers and peers, eight students (8 percent) were identified as potentially gifted and talented.…

Three studies involving a total of 918 students of above average ability in grades 3 through 8 confirm the importance of self-efficacy in students' decisions to initiate creative productivity and reinforce the value of performance accomplishments for increasing self-efficacy and creative productivity. (SLD)