A creative movement and dance program at the New York State School for the Deaf uses multisensory creative activities to help meet language arts objectives. (CL)

An international conference on "Dance and the Child," held in Edmonton, Canada, concerned itself with the belief that dance should become a part of the education of children as performers, creators, and spectators. (JMF)

The article focuses on three activities for developing a more creative lifestyle using experiential and guided imagery techniques. (Author/PHR)

Defines and describes the "models approach,""activities approach," and "models and activities approach." (DD)

Offers practical advice for directors and actors regarding script analysis. Contains questions which the director can use to create a thorough analysis of the script and questions to challenge the actors. Asserts that answering these questions helps actors build a detailed character analysis providing directors with hints about how gesture and…

Explains a classroom experiment to create a folk story about the trickster, a folklore metaphor, through dramatic role playing, improvisation, and imaginative play. Describes the activities used, including details of the students' dramatic role playing and the use of "gibberish" as language. Discusses the methods used for creation of a…

Describes a lesson in sculpture using the drape-mold method. Provides instructions for making the drape molds and the directions given to students. Briefly outlines the steps students went through to create various objects such as teapots, pitchers, vases, and cookie jars. Notes students' responses to the project. (DSK)

Meta-synthesis of problem posing and creativity in technology education addresses the following: (1) constructivist and sociocultural frameworks; (2) the concept of problem posing; (3) problem posing in mathematics learning; (4) problem solving in technology education; and (5) implications for technology education. Contains 87 references. (SK)

A "flow chart day" is a block of uninterrupted time during which a group participates in a series of preplanned, possible activities in arbitrary order to promote group unity and a sense of being in the moment. Instructions for coordinating the experience, suggestions for group activities, and a "flow chart" are included. (SV)

Whether one elects to explore and create in the jazz, folk, or other idioms, children need a broad listening experience, a substantial repertoire of patterns, and most important, permission to think outside the box. It is imperative that music teachers create a classroom environment in which divergent thought is valued. Consider how students learn…

It is so obvious that the sky is blue in the daytime and black at night, but it took the smartest humans thousands of years of observation, thought, discussion, conjecture, and analysis to finally come up with answers that make scientific sense as to why the sky is these colors. This article discusses light and the scientific research…

Improvisation can be difficult to teach in any music classroom, but it can be particularly problematic in large ensembles like band, chorus, or orchestra. John Kratus proposes seven levels of improvisation, with exploration as the first step in the development of improvisation skills. Through experiences in making sounds, children begin to develop…