Reinforces the value of drama and theater for young children. Recommends dramatic play, creative drama, theater, and television, a form of drama, as opportunities for children to learn social interaction skills and person-to-person critical thinking. Urges recognition of drama as an educational tool in the development of young children. (DLH)

Claims there is a missing link between the two seemingly independent stories in Will Hobbs' novel "Bearstone." This missing link can be found through looking at four kinds of play that occur in the novel. (NH)

Summarizes a dissertation that examines the theory and practice of dramatic play among middle school children. Finds that they are still adept and interested in dramatic play. Discusses four components describing the nature and product of the dramatic process (social interactions, metacognitive strategies, ideational processes, and content of…

Summarizes the author's dissertation following a group of bilingual first graders as they created an opera with their teacher and an artist-in-residence. Summarizes the opera process using the libretto format. Discusses the setting, perspectives of all of the collaborators, what was learned, and the educational implications. (SR)

Discusses the benefits for children's literacy, creativity, and enthusiasm for classroom activities of taking dictation of preschool children's own stories and facilitating dramatizations of these stories. Considers issues in the process of dictation and dramatization. Describes differences and similarities in children's stories and their relation…

Examines the creation of process drama and writing experiences in a second/third-grade classroom. Describes how the classroom teacher used process drama (involving students in imaginary, unscripted, and spontaneous scenes) as a context for learning. Notes how process drama provided a context for content area instruction along with writing…

Incorporates dramatization into science teaching to explain difficult phenomena. Uses three different types of dramatization: teacher-performed dramatization, teacher-directed dramatization, and student-directed dramatization. Presents student analyses of the dramatizations. Introduces an instrument that is designed to measure student perceptions…

The focus of this article on play training (when adults intervene in informal but purposeful ways in preschool children's spontaneous, symbolic play) is not on whether it works, but on why it works. A theoretical framework for examining adult/child play interactions, which reconciles diverse perspectives in the literature, is presented.…

Investigated Mexican American cultural traits displayed by young children during sociodramatic play in a bilingual preschool classroom. Cultural traits identified as funds of knowledge include language, values, beliefs, ways of discipline, household care, and value of education. Findings underscore the inadequacy of representing cultures through…

Dorsey shares her practice of using a written play to connect the knowledge students bring to the classroom with Howard Gardner's concept of multiple intelligences.

In this article, first I describe from observation the spontaneous vocalisations produced during free play by young children of 18 months to three-years-old. I propose that a focus on vocalisations can provide valuable insights into general aspects of children's play. Next I describe two musical play situations between toddlers and their mothers…

This study documented the ways in which the spontaneous narratives of a focus group of young children reflected the ways in which these children constructed meaning about their world and their place in it. Participants were six kindergartners who engaged in extended episodes of imaginary, dramatic play and produced complex descriptive narratives…

This article provides an overview of 3 approaches to peer-mediated intervention that have been effective in improving the social and communicative interactions among young children with autism and other developmental disabilities and their classmates without disabilities. These empirically supported peer-mediated interventions involve teaching…

Drama is a means to develop imagination and empathy. Simulated experiences can affect profoundly one's judgment and understanding, adding insights and expanding the frame of reference. The name game is a good beginning exercise, especially if participants do not know one another. Each player states his or her name and a favorite object that begins…

Designed to assist administrators and teachers conducting prekindergarten early intervention programs for at-risk children, this curriculum guide outlines age-appropriate arts experiences that are process-oriented rather than product-oriented. After introductory statements, content focuses on learning activities in the visual arts, dance/creative…