Describes two narrative techniques revealed in a chamber theatre production of Grace Paley fiction in order to argue that chamber theatre, by forcing the audience to attend to particular types of narrative issues, functions as a critical methodology. Substantiates the claim that performance functions as criticism. (SKC)

Recalls the process of rewriting the Uncle Remus stories. Discusses the differences between writing stories and storytelling. Criticizes those who cannot relinquish cultural assumptions. (MS)

Reveals that story grammar research has provided educators with new insights into how children comprehend simple stories. Describes evidence for the existence of story schema, presents results of developmental story grammar research, and recommends teaching strategies based on the research. (RWB)

Argues that in order to counter the current elitism of academic debate, exemplars must be developed which emphasize teaching students the skills required to communicate arguments to inspire citizen activism. Proposes a narrative perspective of debate and offers suggestions regarding how this perspective might be applied and practiced. (MM)

Examines narrative choices in experimental (interpretative) and traditional (analytical) ethnographies. Discusses probability in quantitative and qualitative research, ethnographic narratives as ways of knowing and telling about the world, perspective as a consequence of both narrative voice and stance, and the economics of producing…

Recounts an experience with a "stage prop" bomb made by the art department for a high school production of John Patrick's play, "Anybody Out There?" (EL)

Using an anthropological approach to folklore, the article views children's development of fictional narratives as performances that accentuate prosody. When viewed as performance, the meaning of stories is seen to be not just in the underlying structures, but also in the social and cultural contexts of the story. (Author/DB)

Examines ways in which two persons tell a story together and how the interaction of the two indicates the nature of their relationship. Discusses how co-participants encounter and resolve the problem of having two potential tellers, and a knowledgeable recipient present. (SRT)

By analyzing the elements of experience, handling of time, contextualizing, role of the narrator, and integration of these factors it is possible to trace developments in the texture of personal and imaginary stories among students 11-18. Thus, narrative is revealed as a "primary act of mind" involving increasingly mature insights and perspectives…

This study investigated whether instruction aimed to heighten awareness of narrative structure would enhance fifth-grade children's use of story elements during comprehension and composition. Results are discussed. (Author/MT)

This introductory article--in a symposium that explores the role of stories in human discourse--defines and sketches the history of the "narrative paradigm." (PD)

Describes a study of the features of British children's narrative writing, at ages 7, 10, and 13. The results indicated a progression from a simple chronicle of events, through simple stories based on a disruption of the probabilities, to more highly developed stories. (HTH)