Four ideas for French classroom activities are described: a phonetics exercise focusing on two vowels; an activity developing self-expressive skills using advertisements for flowers; an exercise for developing vocabulary relating to money and investment; and a literary study of a 1987 novel. (MSE)

Discusses the importance of impression management, an individual's conscious attempt to exercise control over selected communicative behaviors and cues for purposes of making a desired impression. Provides a comprehensive conceptualization of the impression-management process, and demonstrates how this process can facilitate effective training of…

Suggests that the aesthetic positions James Joyce expresses in his work have an independent intellectual value in understanding gifted childrens' aesthetic development. Discusses and critiques Joyce's theory on the psychology and philosophy of the artist. (KM)

Describes how middle and high school students can learn the principles of layout and design through calligraphy. Outlines how students selected their own poems and decorations, and discusses how to arrange them before creating the artwork. (KM)

Maintains that the cognitive aspects of art education are being emphasized in order to validate art education's place in the curriculum. Argues that the studio approach to art education should be reformed while remaining at the core of art education. Explores the questions of who should teach art education; and how art teachers should be educated.…

Describes a successful program of "contemplation writing," in which, through a counting technique and a music technique, children learn how to contemplate their inner experience, write about it, and discuss it. (SR)

Suggests that watching for certain signs can help music teachers to improve students' performance in jazz solos. Recommends dealing with problems one at a time beginning with the most blatant and focusing on good communication skills as the basis of improvisation. Discusses lack of spacing, repetition, planning, form, and finality. (DK)

Describes how mental experiments can be used to turn expository writing into games and even self-exploration in an advanced language course. Through a class project on sex change, for example, learners acquire more knowledge about themselves as well as heightened language skills. (LET)

Offers practical advice for teaching art in early childhood classrooms. Encourages respect for children's individual artistic style. Discusses paints and markers, blocks, fingerpaints, bubbles, collages, and other art materials. Includes recipes for fingerpaint. (GH)

Describes a U.S.-Soviet mural project where citizens from Milwaukee, Wisconsin and citizens from Leningrad created two peace murals--one in the United States and the other in the Soviet Union. The murals were exchanged. Participants made their own clay using dry clay and water before creating their impressions of peace and friendship. (KM)

Describes the artist-in-residence program of the San Diego, California schools and the Maxwell H. Gluck Foundation. This program which serves over 100 schools of many cultures is making its mark on the landscape in the form of site-specific sculptures, earth works, and community-oriented murals. (KM)

Presents some of the elements which have been typical of music in different contexts and cultures, and describes an approach to musical phenomena that relates them to the intercultural and interdisciplinary dimension of lifelong education. Asserts that music in all its forms can help to form a dynamic, pluralist identity in the European context.…

A teacher recounts her experiences with students who were successful telling their stories through writing and using their writing as a vehicle for expressing their emotions. Explains how helping students "find their voices" through writing can crack tough exteriors and help youth reconnect to school and themselves. (Author/MKA)

The ability of 10 adults with mental retardation to exhibit linguistic control within peer and staff dyads was evaluated. Participants produced significantly more utterances with staff than with peers; however, they did not exhibit significant amounts of directives or questions, the two types of verbal control bids studied. (Author/CR)

Describes experiences in using art with the homeless in an open studio approach. Discusses how offering open studio time with a range of materials showed that the homeless, each with a unique style and personal interests, were eager to create art objects and present them to the public. (RJM)